Blanche Gardin

Alex, a quiet forty-something, leads an ordinary life until new neighbours move in. The husband is Alex’s perfect lookalike… except for one thing: he has hair. Alex sinks into a growing paranoia as he becomes preoccupied with this more charismatic, brilliant and accomplished mysterious double.

In a near future, Max and her daughter are selling stolen robots on the black market. When Max loses custody of her daughter following their latest scheme, she must rely on the last robot she took, T-O, who is ready to do anything to help.

Fired from her job, dumped by her partner, and in poor health, 46-year-old adventurer Coline Morel, a Far North specialist, sees her life falling apart. But "The Incredible Snow Woman" will attempt one last comeback.

After, Maya, Give Me a Title, the sequel to Maya's adventures told by Blanche Gardin. Maya and her father live in two different countries. To maintain the bond with his daughter and continue to tell her stories, her father asks her every month "Maya, give me a title." From this title, he creates a cartoon for her in which she is the heroine. Michel Gondry then brings to life a poetic and amusing journey that will make little ones dream...and adults smile.

Michel Houellebecq travels to Guadeloupe to take part in a look-alike contest, whose jury is chaired by Blanche Gardin. But unforeseen events will plunge our duo into the heart of a bizarre intrigue.

In the land of Chamoux, there are powerful women from the 2020s who are unable to get a raise, hyper-efficient secret agents who are unaware of their abilities, friends who listen without seeming to, and women who believe in telekinesis. There are girls who count quickly and accurately, girls who speak too softly, and girls who think too loudly. The common thread is Elise Lucide, an insatiable and sensationalist investigative reporter, a pure product of the old-school French media landscape, determined to bring viewers the purest essence of this terra incognita: female humor. From couple's life to palliative care, from schools to Comedy Clubs, Chamouxland is a journey to the limits of the post-modern, post-feminist, and post-Me-Too world.

No plot available for this movie.

No plot available for this movie.

In the middle of a performance of the play "Le Cocu", a bad boulevard comedy at a Parisian theatre, Yannick gets up and interrupts the show to take the evening back in hand.

Meeting with the director Quentin Dupieux, who agreed to open the doors of one of his sets on the set of his film “DAAAAAALI!”.