Adriana Roel

A group of longtime friends get together for dinner. When they decide to share the content of every text message, email, and phone call they receive, secrets are unveiled and the balance is upset.

Amanda is 33 years old. Her dull life is suddenly altered when she is forced to take care of her old alcoholic grandmother, Dolores, a retired actress who lives on her past glories. Up until now, Amanda has never had much of a relationship with her grandmother.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Four women get mad at a bakery while they recall their lives at their neighborhood.

Character study of a stay-at-home daughter, 1930s through the 1950s.

Mexican feature film

The story of two women, a mother and her daughter, who during the Cristero War set traps for government soldiers passing by their house, using seduction that was never consummated. The idea was to deceive the soldiers by making them feel safe, then hand them over, almost with their hands tied, to the Cristero guerrillas. But then one of the women, the daughter, truly falls in love with one of the soldiers, allows herself to be seduced by him, and then tries to save him, only to be killed, in the circumstances, by the soldier himself.

No plot available for this movie.

The divorced university professor, Victoria, signs a letter of protest for the political disappeared that her students request, although she is not interested in politics. That afternoon his daughter, a twenty-year-old medical student, disappears. This event will change the vision of Victoria and her participation together with relatives of other political disappeared to obtain justice.

On the thinnest of pretexts, a horde of homeless people descend on the apartments of two members of the comfortable middle class and proceed to loot and vandalize both homes, leaving the next morning with many of the belongings they found there, as well as one of the residents who has opted to join them. This political allegory is based on two plays by the Chilean playwright Egon Wolff.