Václav Sloup

In the small Moravian town of Zvěstov, all the men live for historical battles. They represent the French army, led by their mayor Touchyn (Bolek Polívka), who has had a monopoly on the role of Napoleon for years. This time, they are preparing for a big event—the unveiling of a Napoleonic fountain in the neighboring town of Podolí, attended by television crews and journalists. However, the mayor of Podolí has bad news for Touchyn – this time he has hired a real foreign actor to play Napoleon, who looks more like him. Touchyn is offended and decides to ignore the ceremony. He convinces the people of Zvěstov to do the same, but they regret that they have rehearsed for nothing...

The next installment in a loose series about Renata Soukupová, first a girl and now a young woman. Renata, currently living in Paris, makes another return to the Czech Republic: a man comes to pick her up, and she decides to give him her love and trust. We know him from previous episodes; he is a former dissident named Holý, and he and Renata have always been attracted to each other. Renata realizes that he is finally the man with whom she would like to have a family. But Holý does not want children...

The spring nymph Voděnka is actually a girl from the human race who was taken in as an orphan by three magical aunts – Jezinka, Polednice, and Bludička. The aunts entrusted Voděnka with a magical jug and the task of taking care of all the springs and streams. On his way home, a young potter named Jirka gets lost in the marshes and accidentally breaks the jug. He also meets Voděnka, falls in love with her, and promises to fix what he has done. In order to make a new jug, he must complete the tasks set by Voděnka's aunts and also obtain potter's clay from a secret place in the marshes, which is guarded by the treacherous mud goblin Vodouch. Vodouch has his own designs on Voděnka and, together with the wild girl Rosnatka, sets all kinds of traps for Jirka...

It would never occur to a confident and proud ruler that someone somewhere is counting his misdeeds and that punishment will soon follow. Only when he becomes an exile and has to live like an ordinary person and work does he find a new approach to life and ultimately become a wise and just ruler.

No plot available for this movie.

Gabriela Preissová wrote her two most famous dramas, Gazdina roba and Její pastorkyňa, when she was not yet thirty. Both were set to music and became famous. The first opera, entitled Eva, was written by J. B. Foerster, and the second by Leoš Janáček. The fame of Janáček's work greatly overshadowed the original. On the other hand, "Gazdina roba," the author's debut work, is still performed on Czech stages, regardless of the era. That is how powerful and impressive this drama is. The production by director Zdeněk Kaloč premiered at the Vinohrady Theater in May 1992. Dagmar Veškrnová endowed the title role of Eva the seamstress with warmth, temperament, pride, and tragic shadows.

Vít Dolejší, popularly known as Vitoušek, monitors the groundwater in the underground of the National Theatre, and when he gets fired because the theatre will go to the nuns, he has no choice but to inherit the Richmond Hotel in Karlovy Vary from his American grandfather and the five million dollars tied up in its rapid reconstruction. At that moment, however, he finds himself caught in the web of intrigues of a wealthy ex-broker called Boss, the hotel manager and former Aesthete Křiváček, and the cunning lawyer Wagner. However, not only big money is at stake, but also the charm of the notorious gambler Alice, with whom Vitoušek falls in love and then shows everyone that he is not such a fool as everyone thought.

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

No plot available for this movie.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.