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Peter arrives in Helsingør to marry Bitten. He is accompanied by Kanusti, who is to be his best man. However, upon arrival, his mother-in-law's dislike of Peter is immediately apparent. When Peter later finds out that Bitten wants them to live three houses away from her mother, Peter does not show up for the wedding. However, thanks to Kanusti's intervention, Bitten and Peter are reunited.

The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected child of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a search for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more popular entries in the 1957 Berlin Film Festival.

Three girls (around 20 years old) who have grown up in different parts of Denmark get a strange letter. It turns out they are sisters, and will inherit from their late mother, if the can stay together one month in the same house. They end up in a lot of (romantic) trouble, because of speculations of who their father(s) might be.

Since her husband's death, Mrs. Tang has lived and worked exclusively for her two children, Erik and Ester. They are her whole world; her entire existence revolves around them, even though they have long since grown up and now want to live their own lives. Her son is a journalist, and her daughter works at a law firm.

At Helene Dragstrup's 20th birthday, her grandmother Margrethe decides that it is time that Helene learns something about life outside the protective walls of the estate.

This film is based on a true story, depicted in the novel of the same name, "Der kom en dag" (The Day Came), written by Flemming B. Muus. Quote: On April 9, 1940, we surrendered, under protest, to an army that broke all treaties, attacked our borders, occupied our country, and seized all executive power. But soon, the will to resist was born. Groups of people came together in a common desire to help win the war and liberate our country.

Among the many guests at the Rebild festival is Andreas Andersen, a man in his early 30s. But he has not come to Denmark to attend the big festival. Seventeen years ago, he was a poor farmhand at "Hovgården," but he fled the country because the farmer's wife, the authoritative Martha Larsen, accused him of a theft that was actually committed by her son, Henrik. Andreas came to America and led a turbulent life here before becoming a farmer and earning a lot of money.

The beautiful and spoiled manufacturer's daughter Helga defiantly bets with her friends whether she can survive a whole year as a working housekeeper without financial help.

Tove Andersen's problem ends in Christianshavn's moat, and this is where the film begins. The body has a noose around its neck. The homicide division is called in, and it turns out that shortly before her death, she had undergone an illegal operation. An unscrupulous womanizer had abandoned the young student from the countryside when the relationship had consequences. The doctor rejects her after a beautiful lecture on the sanctity of life, and she must therefore rely on "private" help.

Helga is on a farm, where she is seduced by her husband, Per Mortensen. As it turns out she is with child, she gets a tough time among local residents. They consider it the greatest shame that can befall a young, unmarried girl. Per refuses bargain to be the father of the child. Her parents can not afford to keep the baby, so she tries to go to court - without result. Fortunately, she gets a new duty station at Torpegaarden where she thrives. In particular, she has a good eye to his son on the farm, Gudmund. He also liked the young girl
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