David Prachař

A sequel to "Vyšehrad: Fylm"(2022). Lavi’s long-awaited foreign engagement in the Vyšehrad sequel ends in fiasco when his flight to England fails; he unexpectedly lands at the rural FK Smrkov, where a series of surprises, including a revelation discovered during an unplanned stop at an outhouse, await him.

This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.

Pavel may be in his forties, but he still hasn't fully matured. He lives with his mother and lacks the courage to do what would truly fulfill him in life. He only gets this when he meets his childhood sweetheart, Tereza, and spends an adventurous night with her. However, Tereza is not ready to leave her current life for someone who, according to her, is not a real man. So Pavel decides to become exactly that kind of guy. He signs up for a training camp in the Tatras led by Weisner, who teaches everything from chopping wood to seducing women. Will Pavlo manage to overcome himself and become the man Tereza longs for?

Theater in film: Maryša by Jan Mikulášek, directed by Viktor Tauš, is a thoroughly contemporary cinematic confession of a woman who has decided not to succumb to the pressure of those around her and, if she cannot fulfill her love, would rather cause death and self-destruction. A ballad about a case where preserving inner dignity is more important than life itself.

Human kindness and purity in a corrupt world will never go out of style. This is proven by Fyodor Dostoyevsky's more than 150-year-old story "The Idiot," which continues to inspire new adaptations and resonates with contemporary audiences thanks to its timelessness.

Zdena, a young nurse, starts her first night shift at an old people’s home and immediately faces a difficult task: she has to deal with the body of a deceased client. A gentle portrait of faltering youth and a realistic tale of an encounter with death in a blend of physically intense moments and absurd humour.

A theatrical production by the independent theater company JEDL from Divadlo X10. The proven trio of creators Nebeský-Trmíková-Prachař used an ancient theme for original variations and reflections on the relationship between women and men and on the boundaries that cannot be crossed, even when love turns into mad hatred. The creators also invited painter I. Korpaczewski, conceptual artist M. Titlová Ylovsky, and musician J. Šikl to participate in the production, directly involving them in the dramatic form, thus creating the work in action, right in front of the audience.

In the early days of the independent Czechoslovak state, we shared a common history with the Carpathian region. What do we know about the fate of this historically turbulent region and its inhabitants? This documentary aims to refresh half-forgotten facts through the historian and specialist in modern Czech history, Charles University professor Jan Rychlík, author of the book Podkarpatská Rus v dějinách Československa (Carpathian Ruthenia in the History of Czechoslovakia). At the same time, it aims to shed light on the emergence of the Czech nation, which, unlike the Rusyns, rose up from a mass of semi-literate peasants in the 19th century. Not every human community is able to overcome itself, maintain and cultivate its level. This challenge is still relevant today!

More than a year has passed since the last time we saw Julio Lavický (Jakub Stáfek) (yes, it was when he "sold" the match, but forgot about it and scored a beautiful goal). Lavi is, as his agent would say Jarda (Jakub Prachar), still the same demented person, but he finally started to do well. Both in football and in his personal life. With Vysehrad, he advanced to the second league, where he leads the scorers' table, once again wealthier clubs are eyeing him, he even asked for the hand of his girlfriend Lucia (Sárka Vaculíková), Jarda's sister... At the wedding, which cost a fortune, but he discovers that he already has an eight-year-old son, which will definitely not please the newlywed. not to lose his wife on his wedding day, to take care of his child, which is a long way from him, to get from Vysehrad to somewhere higher, or to fight with the practices of a certain football Dad... It's just rushing like an avalanche again - from one problem to another second.

Blind Mimi and Lisa are best friends. They learn from each other to approach the world and its diversity with generosity, tolerance, and openness. In a new story, titled The Garden, a yellow container is installed in the yard of their house which their neighbours soon start filling with old and broken things. Lisa is curious what Mimi would be getting rid of and is surprised to see she doesn´t throw away anything. For Mimi, all old things at home are her anchors and little certainties in the dark. Lisa decides to throw away her old red ball. But it falls behind the container and thanks to it the girls discover a secret door leading to the beautiful Garden of the miraculous Magic Maker, who takes them on a quick trip through all the seasons.