Jasmine Trinca

In the untamed beauty of the island owned by an extraordinarily wealthy Marquis, Elena's arrival marks the beginning of a passionate love affair. Complicity and transgression, sex and power, in a film inspired by 1960s Italian true crime, where erotic play unfolds into obsession.

Gioia is a high school teacher who has never known any other love than the oppressive bond with her own parents, with whom she still lives. One of the students at her school, Alessio, is cashing in on his own body to make a couple of hundred euros to help his mother, a cashier in a supermarket. The relationship that dawns between Gioia and Alessio is forbidden fruit, fragile yet, inexplicably, one they can’t do without. Still, Alessio’s desire to improve his social standing is a silent killer that prevents him from ultimately accepting Gioia’s surprising affection for him. He goes and destroys it all, cancelling the only person who has ever loved him.

Perugia. The police are carrying away the body of a young woman when they hear a sigh: Rosa Lazar is still alive. The assistant district attorney Cristina Camponeschi and psychologist Stefano Mangiaboschi investigate, but Rosa seems unaware of the attack she has endured and hides the truth. For Cristina, the girl is the key to an international crime ring; for Stefano, the start of an inner journey that will lead him to reveal the true enigma of Rosa Lazar.

A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.

PROPHETS is the story of an encounter and a confrontation between Sara, an independent Italian journalist who was kidnapped in Syria by ISIS while she was working on a war news report in 2015, and Nur, the young foreign fighter, wife to a soldier of the Caliphate who holds Sara in custody in a building located in the middle of a training camp. Nur’s strong will to proselytize, together with the strict orders of the leader of the camp, will unfold into an attempt to convert Sara and make her join Islamic extremism.

No plot available for this movie.

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

The story of a loving couple who struggles to keep its relationship alive against the inescapable passing of time, told in a nonlinear way over the course of ten years in their lives.