Chen Shiang-Chyi

Everything around Mrs. Yan looks perfect, but her mind is as confused and complex as the variety of medications she is taking. To reach peace of body and mind, she tries many methods including qi training, but to no avail. One day she gets a message that the woman who had an affair with her husband is in a nursing home and suffering from dementia.

Tsai Ming-Liang, the artisan of cinematography approaches virtual reality, pushing the boundaries of VR film. The Deserted stripped away traditional film techniques and is presented in 360 degrees, like a theatre. The viewer is placed in the scene and is allowed to look freely at the construction of the environment. And immersed in the handcraft of the scenes.

Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

Journalist Denis Robert sparked a storm in the world of European finance by denouncing the murky operations of banking firm Clearstream. His quest to reveal the truth behind a secret world of shadowy multinational banking puts him in contact with an ever-expanding anti-corruption investigation carried out by Judge Renaud Van Ruymbeke. Their paths will lead them to the heart of a political/financial intrigue, which will rock the foundations of Europe and the French government itself.

An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.

After losing her job as a garment worker, Ling sees her prospects dim dramatically: in her mid forties, she lives in a small, dilapidated apartment in the Taiwanese city of Kaohsiung and spends much of her time locked in arguments with her testy daughter. Her elderly mother is ailing in hospital. On one of her many visits to the ward she notices an injured man and tentatively starts to care for him.

A contemplative trip down memory lane with one of the leading voices of the Second New Wave of Taiwanese Cinema. Saw Tiong Guan clearly established a very personal bond with his subject, and also found many of Tsai Ming-liang’s colleagues prepared to complete this portrait of a quiet yet outspoken artist.

Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, Chuan says, “I saw this body was empty, so I moved in.

Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.

Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.