
Yoji Yamada (山田 洋次 Yamada Yōji, born September 13, 1931 in Toyonaka City, Osaka, Japan) is a Japanese film director best known for his Otoko wa Tsurai yo series of films. He was born in Osaka. But because of the work of his father, who was an engineer for the South Manchuria Railway, from the age of 2 he was brought up in Manchuria. Following the end of World War II, he came back to Japan and sub...
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This special performance was held to commemorate the 55th anniversary of the release of the film Tora-San. The event was a must-see for fans and non-fans alike, featuring rakugo stories reminiscent of the world of Tora-san, a new rokyoku based on the secret story of the birth of Otoko wa Tsuraiyo, and a rare talk show featuring director Yamada and other speakers sharing their thoughts. Rokyoku ‘Tora-san no Shussei’ (The Birth of Tora-san) Tamagawa Tafuku Rakugo ‘Matsuyama Kagami’ by Yanagitei Kochiraku Rakugo ‘Kasa Go’ by Hanaroku Yanagiya ‘Ohanashi’ (talk show) Yoji Yamada, Chieko Baisho, Osamu Akimoto, hosted by Hanamitsu Yanagiya. (7 September 2024 at Yurakucho Yomiuri Hall) Organised by Shochiku Co.

After meeting as college students in the cinema town of Seijo, husband and wife Nobuhiko and Kyoko Obayashi have gone on to direct and produce acclaimed films together for 60 years.

After the war, many filmmakers were expelled from the Japanese film industry due to the Toho Dispute and the Red Purge. Amid such circumstances, there were people who set up their own independent production companies and embarked on film production without relying on corporations. This documentary film focuses on the passionate "spirit of film" of directors such as Satsuo Yamamoto and Tadashi Imai, who, despite many hardships, produced a succession of masterpieces overflowing with humanism and rebellious spirit.

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An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
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