Esperanza Roy

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

Hour-long documentary about distinctive-looking Spanish character actor Víctor Israel.

Santiago, a gray man who works as a supporting actor, changes his attitude towards life when, for a few days, he takes his young son Guillermo into his home.

The film tells the obsession of a policeman to find out who is the murderer of a young homosexual. The character played by Antonio Resines, is a cop who gets up in a strange house with a huge hangover and has no memory of what he did last night, when the homosexual was killed. He is the prime suspect.

No plot available for this movie.

A wealthy woman twice widowed, lives with his family and two servants in a shady country house in Galicia in the late nineteenth century isolated from the world to hide a serious incident occurred in the family ten years earlier. This event is subject to certain blackmail the family of which will be released by the arrival at the mansion of two strangers who triggered the investigation of the facts and a change in the future family life.

Until Lucas appeared in their lives, Dani, Carlos and Toni had a quiet life with no major concerns. They shared almost everything: the house, housework, dogs, his homosexual tendencies and debts. It was these that forced them to rent one of the bedrooms of their floor. Then came Lucas, his hair long, his charming smile, and his muscular body to completely change the life and destiny of their lovers home. Lucas is found dead but... who killed him? All had reasons to do so, or maybe none.

Chechu is a 13 year old boy who lives surrounded by peculiar people: his grandfather, his uncle, and two maids. He falls in love with one of them.

No plot available for this movie.

A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.