
From Wikipedia, the free encyclopedia Alfred Peter Abel (12 March 1879 – 12 December 1937) was a German film actor, director, and producer. He appeared in more than 140 silent and sound films between 1913 and 1938. His best-known performance was as Joh Fredersen in Fritz Lang's 1927 film, Metropolis.
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Film by Herbert Maisch.

Opera singer Maria Seydlitz has just left her fiancé because he put her between the choice of husband or profession when she receives a telegram from New York: an unknown person hires her for a large fee at the theater Maria accepts the offer... The film is based on the novel of the same name by Hans Rudolf Berndorff. The film was shot from July to September 1936 on the Neubabelsberg outdoor area and on the passenger ship "Bremen“. He experienced on the 15th. Its premiere in January 1937 in Berlin's Gloria-Palast.

William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.

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An actress and her lawyer husband are so busy that their maid becomes the real mother to their six year old boy and at one point causes consternation by taking the child away to her home village.

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Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

No plot available for this movie.
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