Robert Strauss

Noah, the sole remaining survivor on our planet after a nuclear holocaust, finds himself unable to to accept his unique predicament. To cope with his loneliness, he creates an imaginary companion, then a companion for his companion and finally an entire civilization - a world of illusion in which there is no reality but Noah, no rules but those of the extinct world of his memory - our world.

After the superstardom and early death of Bruce Lee, 20th Century Fox decided to cobble together a couple of theatrical feature films from this property, of which this 1974 effort is the first. The bulk of the film consists of four episodes crudely spliced together. Scattered throughout are bizarrely irrelevant fight scenes from other episodes, which make the already disjointed plotting quite surreal. The television image was cropped to make a widescreen film, which means the tops of heads and hats are lopped off the frame with alarming regularity.

Known to her clients as Dagmar, she's a classy Swedish call girl in Copenhagen. After two years, she's ready quit, and we follow her on what she hopes is her last day in the trade. She wakes at 9 AM, gets her first call and a marriage proposal, checks in with her doctor, pays final visits to various clients, arranges to lease her flat, passes on her black book to a colleague, tries to beg off on an impromptu session with Japanese businessmen, has a quick conversation with her brother, and makes a couple of charitable contributions. All the while, her eyes on the clock, there's the threat of her pimp finding out about her plans. If she pulls it off, what awaits?

An ex-gunfighter goes up against a man who is trying to stir up trouble with the Indians to enrich himself.

Johnny is a riverboat entertainer with a big gambling problem. After a fortune-teller tells Johnny how he can change his luck, the appearance of a new 'lady luck' soon causes a cat fight with Johnny's girlfriend, Frankie.

A young heiress must choose between six uncles, one of which is up to no good and out to harm the girl's beloved bodyguard who practically raised her.

Joan Howell, a young and pretty maid-for-hire, meets and begins dating wealthy New York City businessman Tom Milford. Embarrassed about bringing him back to her tiny apartment that she shares with her roommate Audrey, Joan brings Tom over to a fancy apartment that she cleans on a daily basis not knowing that it's his place. Tom plays along with the charade despite not knowing who Joan really is, while she tries to tidy up Tom's place not knowing who he really is.

Loosely based biography of 1930s star Jean Harlow as she begins her climb to stardom. One of two "Harlow" film biographies that appeared in 1965, this one stars Carol Lynley in the title role that begins as Jean Harlow, a bit player in Laurel and Hardy comedies, is invited to test for director Jonathan Martin for the lead in Howard Hughes's "Hell's Angels." She is an instantaneous sensation, and in a series of films devoted more to her body than her talent, she becomes Hollywood's "Platinum Blonde."

An aging sheriff is put in the position of having to arrest the outlaw father and two sons with whom he was raised.

A housewife's sudden rise to fame as a soap spokesperson leads to chaos in her home life.