Tony Llewellyn-Jones

As the sole carer for her mentally-ill husband, Elaine finds herself in an uncomfortable position: suspended between love and duty, between the need to stay and the desire to flee, she is neither fully a wife nor a nurse. As she moves through the shuttered halls of their home, past a life packed into boxes, she is forced to acknowledge, at last, that things may never improve. The Widow is an exploration of guilt, of obligation, and of the toll of caring for another.

With a nuclear arms race set to escalate the Cold War, Prime Minister Menzies appoints Colonel Charles Spry to take charge of the fledgling Australian Security Intelligence Organisation, ASIO. The staunchly anti-communist, fifth-generation soldier recruits new officers to fight a covert war against a cunning enemy. Their primary task is to investigate Australians spying for the Soviets and infiltrate Communist Party branches with undercover agents.

Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.

With Australia at war in Vietnam in 1967, suddenly Prime Minister Harold Holt disappeared without a trace—an event unparalleled in the history of western democracy. Four decades later, a coronial inquiry confirmed that Harold Holt had accidentally drowned. Some people may still believe that Holt was a spy and fled to China in a submarine. But most suspect there was more to his disappearance than has ever been revealed. Reconstructed from eyewitness accounts, this dramatised documentary tells the story of the Prime Minister's secret world in the months before he disappeared — a world of betrayal, blackmail, political treachery, a poisonous feud, mounting physical and mental strain, and near-death experiences. Featuring Normie Rowe as Harold Holt, Nicholas Hope as William McMahon and Tony Llewellyn-Jones as John McEwen, this film reveals explosive new aspects of the case.

Nearly 20 years ago a young mother was shot during an apparent kidnapping and subsequent police chase. Now after all that time, the man in jail for the murder is about to be paroled. Jack has two missions - to bring the father and his daughter back together and to find out if any justice has been done by the conviction.

Hell Has Harbour Views is a 2005 Australian television movie starring Matt Day and Lisa McCune. It was written and directed by Peter Duncan, based on the novel of the same name by Richard Beasley. It was nominated for "best miniseries or telemovie" at both the AFI Awards and the Logie Awards, losing to The Incredible Journey of Mary Bryant at both; and for two additional AFI Awards and an additional Logie Award, all of which it lost to Love My Way.

Jack investigates a gangland execution at a children’s football game twelve years ago.

When newlyweds Peter and Julie purchase an old house with plans to renovate it, they begin to discover the strangest things. First, they find one of the living room walls covered with iron plates that reveal an expanding sepia stain. Afterwards, they realize that the stain is beginning to take the shape of a man climbing from the darkness under the house. Whenever they paint over the stain, it reappears. The evil events that took place in the house 100 years prior, are becoming the cause of strange occurrences. Soon, the couple is directly threatened by the evil history of their home.

Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients who wants to stage the opera Cosi Fan Tutte by Mozart despite the fact that none of the patients are able to sing and none of them speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.

When Peter Costello is exiled to a deserted island for stealing sheep, Mary, a maid, decides to join him there.