
From Wikipedia Vivien Oakland (born Vivian Anderson, May 20, 1895 – August 1, 1958), was an American actress best known for her work in comedies in Hollywood in the 1920s and 1930s, most notably with the Hal Roach Studios. Oakland appeared in 142 films between 1915 and 1951. She supported Laurel and Hardy on several occasions, and sometimes played the wife of Edgar Kennedy and Leon Errol in thei...
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Following their initial pairing in early 1927, Laurel and Hardy ended their first year on top. Their success moving into 1928 galvanized the efforts of everyone at Hal Roach Studios (including famed director Leo McCarey), who proudly upped their game in support of the winning comedy duo. Whether wreaking accidental havoc as a two-man band, doing battle against one another as millionaire and butler, or even becoming grave robbers for a mad scientist, Laurel and Hardy prove in their second year that they have what it takes to not only win over audiences in the twilight of the silent era, but generate enough momentum to make a successful transition to “talkies” in 1929.

Laurel & Hardy: Year One, The Newly Restored 1927 Silents, as proudly presented by Flicker Alley and Blackhawk Films®, offers fans new and old the rare opportunity to observe the evolving partnership of the comedy team that would reach enormous popularity. Featuring all new restorations sourced from best available materials contributed by archives and collectors around the world, and restored by Blackhawk Films® and Lobster Films in Paris, this comprehensive deluxe Blu-ray 2-Disc collection features thirteen extant films produced in 1927 and two additional films from before they were officially a team. It includes new scores from some of the best silent film composers working today: Neil Brand, Antonio Coppola, Eric le Guen, and Donald Sosin.

Film historian Robert Youngson presents a feature-length anthology of rarely seen silent films by comedy legends Stan Laurel and Oliver Hardy. Along with clips from many of the shorts that made the duo stars, it includes clips from a 1918 comedy starring Laurel on his own as well as scenes from three shorts Hardy made in 1917 and '18 with his original comedy partner, Billy West. To put the duo's work in context, the film briefly features other comedians who worked with producer Hal Roach.

Police sergeants Johnson and McManus take on Los Angeles confidence tricksters. Con man Tony Wells, lining up rich widow Jessica Royce as his latest mark, sets up a false paranormal society with other charlatans to convince the credulous Jessica that her late son is speaking to her through their sham seances. When the plan leads to murder, Johnson and McManus must bring the group down before they kill again.

The wedding of Ellen and David is halted by a stranger who insists that the bride is already married to someone else. Though the flabbergasted Ellen denies the charge, the interloper produces enough evidence that his accusation must be investigated. Ellen and David travel to the small coastal town where her first wedding allegedly occurred. There, they meet a number of individuals whose stories make Ellen question her own sanity.

A nightclub singer uses alcohol in excess to sooth her painful life.

Leon's boss and his wife aren't getting along together, so Leon asks them to visit his home and observe how he and Mrs. Errol manage to keep the old knot tied. Before the couple arrives, Leon manages to get into a situation with a pretty, blonde neighbor, which leaves him having to introduce her as his wife when they do arrive. Neither Leon's wife, when she comes home, nor the neighbor's husband are too pleased with this arrangement.

An Australian nurse discovers an effective new treatment for infantile paralysis, but experiences great difficulty in convincing doctors of the validity of her claims.

While packing her belongings in preparation of evacuating the White House because of the impending British invasion of Washington D.C., Dolly Payne Madison thinks back on her childhood, her first marriage, and later romances with two very different politicians, Aaron Burr and his good friend James Madison. She plays each against the other, not only for romantic reasons, but also to influence the shaping of the young country. By manipulating Burr's affections, she helps Thomas Jefferson win the presidency, and eventually she becomes First Lady of the land herself.

A dark personal secret drives a young woman to use every man she encounters.
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