Masahiro Motoki

This is the story of a strange encounter brought about by the atomic bomb, based on the true story of Akihiko Ito, a journalist who lived in Nagasaki and traveled throughout Japan to collect the stories of atomic bomb survivors.

Soon after the break of the pandemic and realizing that his clock is ticking, Kristofer gets the urge to embark on a journey to try to find out what really happened when his Japanese girlfriend mysteriously vanished without a trace from London fifty years earlier.

The day before his exhibition, world-renowned painter Tamura discovers that his own work contains a forgery. Meanwhile, the body of a woman with countless ukiyo-e tattoos is discovered at the sea. From the two incidents, the name of Ryuji emerges.

Takashi Miike is a cinema monster. Let's return to his filmography, his main themes, the framework of his monumental universe.

An eight-hour fiction shot for a total of twenty-seven weeks, over a period of fourteen months, in a village population forty-seven in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family, of a terrain, of a soundscape, and of duration itself. A film-as-adaptive-landscape. A georgic in five books.

No plot available for this movie.

The novelist Shiga Naoya lives with his wife Haruko and their 4-year-old daughter Saeko. He is paranoid about Saeko’s health, making her wear heavy clothes even in summer in order to prevent her from catching a cold. Their child before Saeko died due to an epidemic, and he believes thorough enforcement is a natural consequence. In 1918, the Spanish flu reaches Japan. As the number of infected people grows, Shiga starts to suspect their servant Ishi might have gone to watch a travelling entertainment troupe’s performance which drew a great number of villagers. It is something Ishi is likely to do. But when Shiga questions her, she says that she did not go. However, she makes him have misgivings on a regular basis and he decides to take this opportunity to make her quit. An uproar ensues. Shiga feels that he has become a tyrant and refrains from kicking her out but he loses all reason and faith in humanity amid the pandemic…

A recently widowed writer whose wife died in a bus crash comes to terms with his grief—or lack of it—in caring for the children of a working man who also lost his wife in the same accident.

In July 1945, during the end of World War II, Japan is forced to accept the Potsdam Declaration. A cabinet meeting has continued through days and nights, but a decision cannot be made. The U.S. drops atomic bombs on the cities of Hiroshima and Nagasaki, Japan. General Korechika Anami is torn over making the proper decision and the Emperor of Japan worries about his people. Prime Minister Kantaro Suzuki leads the cabinet meeting, while Chief Secretary Hisatsune Sakomizu can't do anything, but watch the meeting. At this time, Major Kenji Hatanaka and other young commissioned officers, who are against Japan surrendering, move to occupy the palace and a radio broadcasting station. The radio station is set to broadcast Emperor Hirohito reading out the Imperial Rescript on the Termination of the War.

Set in 1995. A helicopter, operated remotely, is hovering in the sky over a nuclear power plant. The power company, prefectural government and media all receive a fax. The fax contains a threat that if the nuclear power plant is not taken offline the helicopter will be dropped. 8 hours is given as the deadline. Making the situation even more dire, a young child is in the helicopter.