
Joe Alves (born 21 May 1936, San Leandro, California) is an American film production designer, perhaps best known for his work on three of the Jaws films. He directed Jaws 3-D. Alves has designed three features for Steven Spielberg, firstly for The Sugarland Express. He designed the three mechanical sharks for the movie Jaws (1975) with mechanical effects man Bob Mattey supervising their physical...
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Explores the life of local Martha's Vineyard legend, Craig Kingsbury, and his impact on the production of Steven Spielberg’s classic movie

The authorized documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Featuring rare archival footage and interviews with acclaimed Hollywood directors alongside Steven Spielberg, top shark scientists, and conservationists, the film uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today.

The ultimate deep dive into the world of shark cinema: filmmakers, critics, scholars and conservationists explore the weird, wild cinematic legacy of sharks on film and audiences' undying fascination with these misunderstood creatures.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with writer Nick Castle, cinematographer Dean Cundey, composer Alan Howarth, production designer Joe Alves, special visual effects artist/model maker Gene Rizzardi, production assistant David De Coteau, photographer Kim Gottleib-Walker, Carpenter biographer John Muir, visual effects historian Justin Humphreys, and music historian Daniel Schweiger.

Sergio Castellitto's narration traces the history of 3D cinema, which began with cinema itself, through films from the early 1900s such as "L'Arrivée d'un train en gare de La Ciotat" by the Lumière brothers, to the great titles of the 1950s such as Alfred Hitchcock's "Dial M for Murder" and "The Creature from the Black Lagoon."

After three decades, Jaws continues to intrigue, thrill and frighten viewers. This documentary focuses on the many ways in which Jaws has helped to shape popular culture.

A look at how Dial M for Murder (1954) was produced for 3-D viewing.

A documentary film on the making of 'Close Encounters of the Third Kind'

A documentary on the making of one of the greatest films ever made, filled with trivia, interviews from cast and crew and never-before-seen footage.
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