Daniel Filho

No plot available for this movie.

Jéssica is a simple young woman, dedicated to her job at an antique shop in Rio de Janeiro, but she feels her life lacks purpose. Everything changes when she finds a mysterious locket identical to an item she inherited from her late mother. Driven by the desire to understand the connection between the locket and her family history, Jéssica teams up with Gabriel, a distant relative who appears unexpectedly.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

No plot available for this movie.

Third part of Ruy Guerra's trilogy initiated in "Os Fuzis" (1964) and "A Queda" (1978).

No plot available for this movie.

After taking a very nasty fall on Christmas Eve, grinchy Jorge blacks out and wakes up one year later, with no memory of the year that has passed. He soon realizes that he’s doomed to keep waking up on Christmas Eve after Christmas Eve, having to deal with the aftermath of what his other self has done the other 364 days of the year.

After his death, infamous Rio de Janeiro mob boss Golden Mouth (named after his all-golden teeth) gets multiple accounts of his life told to the press by his former lover.

A portrays of the period in which Brazilian humor had fewer limits (1986-2003), free from military dictatorship.

Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.