
Marco Antonio Ricca (São Paulo, November 28, 1962) is a Brazilian actor and filmmaker. Marco was born in São Paulo in 1962. His television debut was in 1993, in Rede Globo's soap opera Renascer, playing the character José Augusto. The following year he transferred to SBT, where he acted in the soap opera Éramos Seis. In 1995, he made a quick stint in the teledramaturgy of Rede Bandeirantes, partic...
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Sérgio is determined to take over his family's construction company to pursue a long-buried dream. But when he uncovers a hidden chapter from his father's past, his ambitions are shaken, forcing him to confront the man he has truly become.

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Ever wondered how Senna's races came to life in the limited series? This behind-the-scenes look reveals how the cast and crew made them happen.

José Pedro de Freitas, better known as Zé Arigó, was a simple man who lived with his wife Arlete in Congonhas, Minas Gerais. During the 1950s, a time when Spiritism was not as well known and respected in the country, Arigó became a symbol of hope through his surgeries and spiritual cures. Based on a true story, Arigó, with the help of the spirit of Dr. Fritz, performed numerous spiritual surgeries on people from Brazil and the world.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.

Hebe Camargo is one of the most emblematic entertainments in Brazil. At her 60s, she went on to control her own career and, despite the criticism, the dreadful husband and the powerful and sexist bosses, she revealed herself to the public as an extraordinary woman, capable of overcoming any personal or professional crisis.

Elder manages the hotel inherited from his father. In his hands the hotel went from a luxury resort to a hotel on the verge of bankruptcy. Unsuccessful in his professional life, this failure is repeated in his social life with a marriage in ruins and with no prospect of improvement. At the limit of his emotional balance, Elder puts everything at risk when facing his demons and the consequences of his decisions.

A recently separated Argentinian man and woman, with their two teenage children, go on a family holiday to Florianópolis, Brazil, where they become delightfully and problematically involved with the family from whom they rent a house.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.
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