Mathieu Amalric

What does it mean, to go to the movies? Why have people been going for over one hundred years? I set out to celebrate movie theaters and their manifold magic. So I walked in the footsteps of young Paul Dédalus, as if in a filmgoer’s coming-of-age story. Memories, fiction, discoveries come together in an irrepressible torrent of pictures.

In 1932, Albert Einstein was invited by the League of Nations to address a letter on any subject to any person. He chose to correspond with Sigmund Freud about avoiding war. To this day, the correspondence about war of two great thinkers of all time proves to be more relevant than ever. Inspired by this correspondence between Albert Einstein and Sigmund Freud almost a century ago, the film Why War traces the roots of war, and embarks on a search for an explanation of the savagery of wars that inhabit our world.

Following the death of Paula, one of her long-time patients, psychiatrist Lilian Steiner becomes convinced that her supposed death by suicide is actually an unsolved murder.

Ange, a rootless musician, feels a vital need to reconnect and make peace with his old friend Marco. Solea, his past love’s daughter revolted against her era, joins him on this journey. Together, they rediscover the path to joy.

Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.

Ten years ago, Volodymyr Zelensky was just one of the many faces on Ukrainian television screens. He became a star thanks to the 2015 satirical series Servant of the People, in which he played a history teacher who becomes president. Four years later, what began as fiction became a reality. This French documentary follows the transformation of a popular TV comedian into a statesman on the front lines of the Russian invasion. Archival footage, family photos, television appearances, and interviews with Zelensky and those closest to him create a multi-layered portrait of a man who always longed for a large audience. At the same time, the film places his personal development in the broader context of post-Soviet Ukraine, which is also searching for its own identity.

Nino is a young man on a journey to reconnect with the world and himself in the streets of Paris, following the suggestion of his doctors. In three days, he will face a major challenge.

A mysterious woman teams up with a man whose daughter was killed and who is now seeking revenge. Together they kidnap members of an organization and torture them to find out what really happened.

The Emerson String Quartet records their last album, Infinite voyage, in three days, after 47 years of music together. For this farewell, the string quartet invited soprano Barbara Hannigan to join them, and a film was born. Their precise, inhabited work, the moments of enthusiasm and fright, the research and the jokes, the evening meals and the morning confidences, the age limit of these men and the flamboyance of this woman nourishing each other, the admiring friendship full of irony and joyful rigor, the craft and yet the discovery, the humor as a cog towards concentration, the individual and the group… all this composes a portrait of the usually invisible making of music. Before everyone goes their own way.

A portrait of the Larrieu brothers at work shot during the post-production of their film Tralala.