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A parody of D. W. Griffith's "The Birth of a Nation", "I Am Not a Racist" rearranges the scenes of the classic movie and recreates its dialogues to criticize the racism in it and also in the world today. Freemenville is a little city somewhere in the USA. A city ashamed because of its past of slavery, but proud of being the first in the country to end it. There is an annual ball to celebrate this fact. And this year's ball may be the biggest ever, because of the possible presence of a big celebrity, who is coming to town to see the premiere of a play. However, the play happens to be D. W. Griffith's "The Birth of a Nation", a racist work that starts a series of events exposing the racism that still exists in the city, culminating in the recreation of the KKK.

Film clips highlight the funniest scenes and brightest comic stars in MGM's history.

Hilarious scenes from his silent and sound films as compiled and produced by Harold Lloyd himself.

Stable hands Stan and Ollie are tending a thoroughbred named "Blue Boy." But when they overhear two men talking about a $5000 reward for the return of the stolen "Blue Boy," they miss the part about it being the painting, not the horse. They take the horse to the owner's house to claim the reward. The owner instructs them to put "Blue Boy" on the piano and Ollie explains, "these millionaires are peculiar."

Eddie wants to marry a girl, but her father is strongly opposed to it. For her sake, she convinces him to at least meet Eddie.

Speedy loses his job as a soda jerk, then spends the day with his girl at Coney Island. He then becomes a cab driver and delivers Babe Ruth to Yankee Stadium, where he stays to see the game. When the railroad tries to run the last horse-drawn trolley (operated by his girl's grandfather) out of business, Speedy organizes the neighborhood old-timers to thwart their scheme.

When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.

Edward Everett Horton and Ruth Dwyer are in love and expect to get married as soon as one of them mentions it to the other. In the meantime, Lolita Lee accepts Horton's proposal, which he doesn't recall making, and Miss Dwyer is invited to be a bridesmaid. So he tells Miss Dwyer that it's Stanley Taylor she's marrying, and hopes no one spills the beans before Taylor shows up in a false beard to spike the proceedings.

To escape an arranged marriage, a young Italian girl marries an older man, a military officer who is also a family friend, and when he is assigned to North Africa, she accompanies him. His unit is sent into the desert to subdue some unruly tribes, and when he is later reported killed in action, his widow marries a young soldier with whom she has fallen in love. However, word soon comes back that her "dead" husband is very much alive.

Cameraman Eddie is sent to photograph a socialite at a private lecture on morals. The young woman's guardian will have none of it however, and Eddie resorts to a number of deceptions in order to get a picture.
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