Müjde Ar

Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.

Berna, a theater artist, struggles for the sake of acting only for art at a time when popular culture is dominant. Meanwhile, during a visit to a museum on 'The First Women of History', she is very impressed by the hand-painted portrait of Afife Jale, the first Muslim Turkish actress to appear on stage.

No plot available for this movie.

Ali is 18. His feet are firmly off the ground. The very idea of marriage seems like a game. But the bride's parents are ready and willing. Business ventures will be set up between the families; the arrangement will pay off all round. Ali, meanwhile, is more interested in playing with puppets and dressing up as a rooster for the travelling theatre. His fiancée has only so much patience... So what should his parents do? What was that? Hire a Borrowed Bride? Meaning exactly what? Well just that: borrow a bride, as the title of the film suggests......

After fainting in a school rehearsal, little Su is diagnosed with leukemia. As a result she is forced to give up the Snow White role she wanted so badly. Police Chief Cemil decides to stage the production of Snow White and the Seven Dwarves at his oppressive police station. He hopes to win a TV competition in order to save his dying daughter.

Thirtysomething Suat still lives with his parents and works at his father's store when not practicing as goalie for the local football team, Esnaf Spor. The neighborhood's greatest wish is for Esnaf Spor to win the amateur league championship.

Salih is a mechanic and the son of a respected barber named Ali. A woman named Tina arrives at Cholera Street, where she takes up residence and works as a prostitute.

The railway station in a small town in Western Anatolia where no birds or caravans pass, during the most active and critical days of the National War of Independence in 1921. One is the station chief, who lost his eye and the other foot on the front, and the other was left with caries, and the other was the wife of the station chief.

Hasmet, director of love stories, wants to make a film which is different than the movies he made before. This movie has a social message. He tries to find a producer but film industry is mainly out of money. When he thinks he finds one, nothing goes as it planned.

Sener and Müjde, who can never come together because of endless obstacles and misunderstandings, slowly drift into the plaintive world of arabesque music.