Thomas Schubert

Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband runs out in front of her car. In a state of shock, Andrea commits a hit-and-run.

A body is found in a canal on the Danish border. The woman was murdered in the same way as three before her. Special investigator Gloria Acheampong is sent to the province to take on the case.

Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.

A man is murdered on a remote riverbank, and a young woman confesses to the murder to the police that same night. Forensic psychologist Karla Eckhardt identifies the confessed perpetrator as Anna Lobrecht, whom she had classified as a compulsive liar in a report two years ago. It's possible that Lobrecht isn't telling the whole truth this time either.

When Andreas arrives in the remote valley in the Austrian Alps, he is only about four years old - nobody knows for sure. He grows up to become a skilled farmhand and, as a young man, joins a work crew that builds one of the first mountain railroads, bringing light and noise to the valley along with electricity. He also finds the love of his life in Marie, but their happiness is short-lived. Only many years later, when Andreas embarks on his final journey, she is with him once again. And in amazement Andreas looks back at all the years that lie behind him.

Self-important author Leon joins his best friend on a summer holiday near the Baltic Sea to complete his novel. When they arrive, they find their house is already occupied by a carefree woman who challenges Leon to open up. Meanwhile, forest wildfires rage around them and impending disaster looms.

In his exhilarating tragicomedy, David Lapuch blends apparently disparate elements: mundane matters with meaningful ones, existentialism with comedy—and a rather unappetizing muffin with beer. Richard, a young man who leads a fairly ordinary village life, takes care of his grandfather and a sausage stand at the sports field. Within just one evening, his life becomes unhinged, and he finds out that within every ending is a beginning.

Julius, an eloquent young museum attendant loved by the people around him, invites his colleagues on a sailing trip on his aristocratic family's boat, but something goes wrong. Julius is not who he seems to be.

A woman ends up stranded at a gas station one night, where the manager and his friends are having a beer. It seems she didn't show up by chance, and a crazy night unfolds.

An overwhelmed young mother, her hard-working boyfriend and her lonely sister are trapped in their daily routine and social conventions, until one of them breaks out of her role and turns everything upside down.