
Francisco Díaz Rocha, known as Chico Díaz (Mexico City, February 16, 1959), is a Peruvian-Brazilian actor born in Mexico. Graduated in architecture and urban planning, he worked in theater from the age of fourteen. His first work in his artistic life was in 1982 on the big screen in O Sonho não Acabou. With all the main awards in Brazilian cinema, namely Gramado Brasília, Recife and Rio de Janeiro...
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Two friends determined to become respected police officers face prejudice and ridicule for being openly gay. Given one final chance, they go undercover to infiltrate a dangerous gang terrorizing the city. Posing as inmates, they navigate chaotic events, including a botched prison escape, while maintaining their cover and planning an ambush to take down the gang leader and her operation. Their mission culminates unexpectedly at a major fashion event, where they confront the criminals and finally prove their abilities, earning the respect they’ve long sought. The story blends action, comedy, and satire, highlighting themes of courage, friendship, and queer identity in traditionally macho spaces.

Girassol Vermelho is a film inspired by Murilo Rubião, a master of Brazilian magical realism, about the journey of Romeu, a man who leaves his past behind in search of freedom. By chance, he arrives in a strange city where an oppressive and pathetic system, which does not allow for questioning, drags him into a series of interrogations and tortures. In this absurd world, Romeo realizes that he has lost his greatest value: freedom. Full of pain and fury, Romeu, delirious, embarks on a new and even stranger journey.

Follows the story of Johannes Van Almeida, a painter who was just released from prison and wants to start his life anew, but everything changes when art dealer Antoinette, and international actress in crisis Florence Lizz, get in his way.

No plot available for this movie.

No plot available for this movie.

Rio Branco, Acre, an Amazon city near the border with Peru and Bolivia, has been suffering the violent impacts of recent changes in trafficking routes, which have arrived with violence in the Brazilian Amazon. In this scenario, the lives of three young childhood friends intertwine and ultimately, they find themselves in a common tragedy.

During the night lived in 2020 with denialism, an actor in rehearsal and confinement, his and the character who rehearses, one of the thousand offered by the novel “A lua vem da Asia” by Campos de Carvalho. How to circumvent the taxes imposed by space, time and bodies? Narrative and language are structuring devices in these conditions. What's the way out? A memory? The affection? The imaginary? Liberation takes place through the singular path, that of authorship, imagination and poetry.

Two moments in the life of Pedro. First in 1997, he lives with his family in Rio de Janeiro and works at Gás do Brasil, a company that is undergoing a tough restructuring process, with layoffs and early retirements. Soon, privatization will come. In the second moment, two years later, Pedro lives retired in his hometown Barbosa, in the company of his childhood memories, his dog and his girlfriend. By interweaving these two moments in time, we put ourselves in Pedro's skin and experience his fears and delights.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.
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