Pietro De Silva

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Award-winning journalist Richard Foster leaves behind his family’s business empire to found the Global Harmony Foundation, putting his inherited wealth into a new life’s mission: to promote equality, justice and global unification. However, as Richard and his team prepare for a massive global conference, a crime ring is planning to thwart their plans.

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In Rome's Tuscolano district, Carabinieri sirens echo as three young men — Paolo, Davide, and Aran — sit tense in an apartment filled with jars of marijuana.

Golia is a former rugby champion suffering from dementia. every day he wakes up convinced that he is still young and is away with his team, only to learn that he is living inside a nursing home and has lost all contact with his wife and children. alessandro, another guest of the nursing home, is a former professor of ancient literature suffering from paraplegia. alessandro has one last ambition left: to help golia break out of the nursing home and reunite him with his family, overcoming the defense lines of the institution’s mean-spirited staff and showing the institutions how senility and illness are not valid pretexts for defining the social worthlessness of man.

A quartet of stories unfold across four holidays as family members, friends and colleagues face hard decisions, career setbacks and life-changing events.

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April 1939. Fascist Italy occupies Albania. Thousands of Italian workers, settlers and technicians are transferred to the country. November 1944, Albania is liberated. The new Communist government closes the borders and places dozens of conditions on Italy for the repatriation of its citizens. In 1945 27,000 Italian veterans and civilians were still held in Albania. Among them there is a cameraman, Alfredo C. An operator of the Fascist propaganda effort, he has been traveling around Albania with his movie camera for five years. Before that, for almost two decades, he had immortalised the great machine of the regime. Now, by a twist of fate, being the only cameraman around, Alfredo has been asked to work on behalf of Communist propaganda. Shut up in his storeroom, surrounded by thousands of reels of film, Alfredo watches what he has shot again on an old Moviola. It is his film that we are watching. And perhaps, not his alone.

No plot available for this movie.

No plot available for this movie.