Godehard Giese

The main thing is sexy - no matter whether thin, fat, what skin color, young, old, we can all be sexy in different ways. Almost every woman grows up having to work on herself in order to remain desirable. Why? What if we stopped pushing ourselves into a sexy pose with all our might? What if we no longer fought for the right to be sexy, but were truly free? What if we stopped investing all our time and energy in being heard and the world started to hear us? A modern movie about modern women and men - who might be able to find a common language.

Michael, an open-pit miner, refuses to accept the fact that coal is being phased out. He doesn’t want things to change. Working in an open-pit mine is more than just a job to him. He tries to convince his co-workers to join in his protest of the changes afoot, but by not being able to let go, he gets less and less support — even from his family.

In a criminal trial at the Berlin district court, in which the accusation of rape is being heard, it is one statement against the other - a seemingly insoluble dilemma, both legally and humanly, that has enormous explosive power. Because beyond the professional and private future of two people, it is about nothing less than the values and prejudices that define us as a society. It is a case of high public attention: the well-known TV presenter Katharina Schlüter and the industrialist Christian Thiede have had a secret affair that has lasted for years, and now they are sitting opposite each other in the courtroom as hostile parties. On the witness stand, Schlüter describes how what was initially consensual sex in Thiede's apartment turned into rape. But are circumstantial evidence sufficient? Experts and witnesses are questioned, and an unexpected turn of events doesn't make it any easier for the court to decide on credibility and truth.

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Vera and Wolf Küper live in Berlin with their 5-year-old daughter Nina and their one-year-old son Simon. Vera takes care of the children and the household alongside a part-time job, while Wolf works as a scientific advisor to the UN, trying to raise awareness of the seriousness of the coming climate catastrophe. The stressful everyday life in a system that is not exactly family-friendly puts increasing strain on the young family and the couple's relationship. The Küper family's way of life is finally shaken to the core when little Nina is diagnosed with a fine motor and coordination disorder. At this moment, Wolf remembers a wish that his daughter expressed shortly before going to bed. Nina would like to have a million minutes, just for the really nice things.

Director Joseph is working through a new idea for a film and the breakup with his ex-boyfriend Marc. At the same time Sonya, the mother of his son Pino, is suffering from a depression that increasingly tears her from her life.

Ecology, equality, sustainability: Anita and Sarah pursue lofty political goals as they establish a new feminist party. By contrast, the men who are infected by a new type of virus tend to have less honorable intentions. The consequences: sexual obsession, molestation, and death. Urgent effort is put into developing a vaccine. But should the male sex be saved at all?

In a near-future Romania, young Ozana (Silvana Mihai) is chosen to work as a food taster for the leader of forces occupying her country. The sole rule for her to follow is that she must never look this man in the eye.

Bente, a school dropout, was a foster child on the Strand family's remote farm. Forensic medicine finds a key in Bente's stomach. Where was the girl going with two cans of gasoline? Why did the local gas station attendant sell her gasoline even though it was known that she was an arsonist? Which lock does this key fit into? Local policeman Lars Klapproth might be able to contribute to solving the case, but he does not. Because Lars is the father of Maria's missing daughter Matilde. He had made the toddler disappear with the help of GDR state agencies during the reunification period. When Maria, who had fled the republic, returned to get her daughter shortly after the fall of the Berlin Wall, Matilde had already been adopted and could not be found.

Suburban summer heat. Merit, Eva, Lion, Rose and David cautiously wind around their conflicted relationships. They talk, but their words don’t meet. They play theatre while rehearsing their lives. The garden needs watering. Fears of the future and traces of violence relentlessly press into the present. A narrative of the beauty and gravity that arise from discovering our individual truths.