Amparo Rivelles

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

No plot available for this movie.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

A gypsy who sells fish in a market, sings on weekends in a tablao. One day, a professor, exiled in Cádiz for her political ideas, offers the cantaora a job.

In the 18th century in Madrid, the Marquess of Esquilache, King Charles III of Spain's former minister, bans on wearing the popular wide collar with a long coat and brimmed hat. Along with other measures provoke a massive riot in the city.

Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

Andrew returns to his hometown after a long absence. His father was a military high society who abandoned his wife to join the mother of Andrew, one cupletista second row. The reason for his return is to take over an old inheritance left him by his father: A semirruinoso house that is about to be declared a historic monument. But his desire to settle the matter soon are broken by the intrusion of his brother Ramon in buying the house. Andrés relationships with his family and with old attorney Don Dimas and her daughter Whitey complicated.

A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.

Ends the season and Victoria, widow, mature and owns the beachside motel, does not want to spend another winter alone. To avoid it, buy the company of Paul to continue working for her. Paul agrees, provided remain free and enjoy other women. Days after reaching the motel Gloria, a beautiful biologist who claims to be working on a book and, to the surprise of Paul, seems to know everything about Victoria and her past.

La Coquito is a Cuban cuplés, coveted by men for her beauty and sensuality. After great hardship in Cuba, she accepts the proposal of a Spanish businessman to work in Madrid. There she meets various men who will compete for her love.