
Michael Snow was considered one of Canada's most important artists, and one of the world's leading experimental filmmakers. His wide-ranging and multidisciplinary oeuvre explored the possibilities inherent in different mediums and genres, and encompassed film and video, painting, sculpture, photography, writing, and music. Snow's practice comprised a thorough investigation into the nature of perce...
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This is the sound recording of the interview that Michael Snow, filmmaker, sculptor, photographer and visual artist, gave to Gérard Courant for the magazine Art press, published in February 1979, in its number 25. A great connoisseur of the Canadian artist's work and one of the first to pay tribute to him in 1973 in the magazine Zoom, Noël Simsolo accompanied the two filmmakers at the beginning of the discussion.

A serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career.

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…

World renowned artist and filmmaker Michael Snow continues to push the boundaries of yet another field, music. The avant-garde greats mastery of free-improvisation shines through in this rare solo piano performance at Konzerthaus, Vienna.

Hand processed 35mm portrait of Michael Snow.

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

MICHAEL SNOW UP CLOSE was produced on the occasion of The Michael Snow Project, a major, career-spanning, multi-venue retrospective of the artist. The documentary celebrates the multi-faceted shape of Snow's creative genius, including glimpses of his work in painting, sculpture, film, photo-works, performance, installations, and holography. Discussions with Snow, original documentation of his music and performance work, and excerpts from his avant-garde films, are complemented by interviews with filmmakers Jonas Mekas and Bruce Elder, Snow's dealer Av Isaacs, the architect Eb Zeidler, museum director Pierre Théberge, curator Louise Dompierre, and others. A deliberately conventional documentary about a deliberately unconventional artist.

This is an interesting little documentary about the Nova Scotia College of Art and Design, which was apparently one of the global hotbeds of experimental/avant garde art- particularly video art- back in the 70's & 80's. MacGillvary interviews a number of the artists that were formative to the program. Many of whom would go on to become teachers at the school.

Home movies shot on Super 8mm by W+B Hein over 10 years.
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