Angela Davis

An original circa 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the Empire, and how that connects to the policing and surveillance practices of today. It feeds a growing appetite for history from a different perspective, as we grapple with the legacy of empire, colonialism, and its impact on the modern world.

From Lucrezia Borgia to Malinche to Marie Curie: Women’s contributions have often been downplayed or misrepresented in the history books. Duels of History (re)tells their stories.

Using innovative animation and expert insights, this documentary based on Ibram X. Kendi's bestseller explores the history of racist ideas in America.

"Betye Saar: Drifting Toward Twilight" covers renowned American artist Betye Saar’s large-scale work “Drifting Toward Twilight”— commissioned by The Huntington Library, Art Museum, & Botanical Gardens — a site-specific installation that features a 17-foot-long vintage wooden canoe and found objects, including birdcages, antlers, and natural materials harvested by Saar from The Huntington’s grounds. This film renders a portrait of Betye's process at 96 while also reflecting on her life, career, and memories of Pasadena.

In an Argentina divided between a deep conservatism and an unprecedented momentum in feminism, the film delves into the political journey and intimate lives of Claudia and Violeta. Trans women who identify as transvestites, the fight they lead with their comrades against the patriarchal violence is visceral and embodied. Convinced of their roles at the center of an ongoing revolution that intersects with so many struggles, in defiance of the old world they redouble their energy to invent a new present, to love and stay alive.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

An inspiring exploration of the struggles and triumphs of low-income LGBTQ+ people and their communities in the queer coastal meccas of the U.S. and points in-between—from the Deep South, Midwest, Navajo Nation, and Southwest to the Borderlands. Distilled from interviews with over 200 queer people and their fierce allies, the documentary refreshingly challenges the myth of gay affluence to reveal an extraordinary world of resilient LGBTQ+ people trying to survive, thrive, and get everyone free amidst plenty, and in an era of unprecedented hatred and legislative attacks against them.

“Breaking Myths” aims to open the world’s eyes to the fragile and “catastrophic masculinity” of Brazil’s current President Jair Bolsonaro, a fanatical far-right politician who can best be described as the Brazilian Donald Trump — and who is up for a second term this October. The story is told through the lens of the critically acclaimed Brazilian filmmaker and LGBTQ activist Fernando Grostein Andrade (“Abe” Sundance 19), who directed, wrote, and produced the feature alongside creative partner Fernando Siqueira as the first release under his production company in California, FilmSoul Studios.

“In 2015, Jason Silverman and Samba Gadjigo released the acclaimed feature documentary SEMBÈNE!, on the life and career of Ousmane Sembène. For the following short documentary, the filmmakers have assembled footage from interviews that were not included in the original film, including musician Youssou N’Dour, activist and author Angela Davis, author Ngũgĩ wa Thiong’o, filmmaker Clarence Delgado, and filmmaker and scholar Manthia Diawara” (Criterion Collection).

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.