
Cédric Kahn (French: [kan]; born 17 June 1966) is a French screenwriter, film director and actor. His films include L'Ennui (1998), based on the Alberto Moravia novel Boredom, and Red Lights (2004), based on the Georges Simenon novel. His film Roberto Succo was entered into the 2001 Cannes Film Festival.
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The story revolves around Pierre who is 13 years old when he loses his mother. He’s a shy boy who lives only for his passion: skateboarding. Thirty-something Bertrand is a seasonal worker on Pierre’s father’s farm. United by their shared passion of skateboarding, they look to one another for the strength to rebuild and assert themselves, and to try to face up to their impossible losses.

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

In the middle of the 17th century, the Marquise de Sévigné wanted to make her daughter a brilliant and independent woman in her own image. But the more she tries to control the young woman's destiny, the more she alienates her. Mother and daughter then experience the throes of a singular and devastating passion. A major work of French literature is born from this devastation.

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Joseph Cross looks like his job. Solid like concrete. Married, two children, his existence is perfectly organized. Yet this night, alone behind the wheel, he must make a decision that could ruin his life.

It’s summer and France is hit by a polar cold. Ten lone and lost souls find each other, a profound meeting as a last chance to hope and fear, to love and dream. Ten tales as tribute to Monet’s Water Lilies, ten tales portraying an impressionist painting of today’s France.

Born to dance, Neneh is a 12-year-old black girl who dreams of entering the Paris Opera Ballet School. Despite her enthusiasm, she will have to redouble her efforts to escape from her condition and be accepted by the director of the school, Marianne Bellage, the guarantor of traditions and the bearer of a secret that links her to the little ballerina.

"Don Juan woman", according to the expression of Balzac. A princess, a great seductress. Of a diabolical intelligence. This woman, who has had many lovers— almost all the male characters of the "Comédie Humaine“— will finally find love. The real one. The great one.

Why did Simenon, a novelist who contributed so much to the seventh art, like to say that he hated the cinema? Because he could never become a director? Because, claustrophobic, he was unable to lock himself in a projection room? Clearly, there is an affair between the writer and the cinema and Georges Simenon is the main protagonist. An investigation that is more than ever topical as Patrice Leconte has announced his plan to adapt an investigation by the famous Inspector Maigret.

In November 2015, a series of unprecedented and deadly attacks hits Paris. The anti-terrorist police led by Heloise and her chief commander Fred face an unprecedented level of pressure. In a race against the clock, they must find the perpetrators of the attacks as quickly as possible before they can strike again, travelling across Europe and beyond in one of the biggest manhunts in history.
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