Jean-Pierre Bergeron

Montreal, 1991. Delphis, 11 years old, grows up in a disadvantaged neighborhood and an unstable family environment. One evening, he decides to take control of his life and becomes The Hurricane. Armed with a lightning bolt on his headband and his middle finger held high, he flees a world that has no place for him. With the police and the Youth Protection Services on his trail, he leaves a mother in distress and has significant encounters in the street. Conquering himself, his adventure is like a road trip, from Hochelag' to Berri, from one family to another. Under the impetus of a hasty adolescence, his freedom thumbs his nose at the indifference towards the marginalized. Social etiquettes burst forth in an assertive tone and sustained rhythm. Between punk music and Marjo, The Hurricane hits us in the face, without waiting to die!

A troubled man with personality issues tries to make sense of his relationships with the women in his life. His growing sense of despair will slowly push him to committing the irreversible.

A fertilizer used in a rich gated community becomes the source of a genetic mutation that transforms its residents into zombies. Can a teenager and his baby sister break free from the quarantined island before turning into grass?

This is the story of four people: ODNEY, RAJNI, ALUKI and MUFEEDA. Four lives, four journeys that led them in a search for freedom. Together they decide to live on the fringe of society and to finally find a place where they can do things their way.

Paul Bougon ignites social media networks and public opinion after his brief participation in a television program. Having become an instant celebrity thanks to his outspokenness, he decides to go into politics and founds his own party. With the help of his devoted entourage and at the head of the PEN (Parti de l’Écœurement National) [National Disgust Party], he wins the elections and becomes Premier. The challenges of his new career place him in front of heartbreaking choices.

In 1987, Ricardo is 17 years old. This summer, Ricardo has a busy schedule: loose his virginity, find a way to get into bars, have a car, spend time with his friends. In order to rapidly make money, Ricardo decides to use his italian inheritance and take a shortcut in the medium of crime. But things will go wrong...

Henri was raised by religious in a convent and lived with them until the women, now elders, moved, leaving him alone. Henri fixes lamps. Since his young age, he's been replacing burned light bulbs and illuminates people's lives. After following signs, he finds himself working in a lamp company. Through his new work, he meets an old man trying to never forget his glory days and a blind woman, teller in an adult cinema, with whom he falls in love.

A climate of civil war, a fight that has made them lose everything including their youth, four soldiers aged 13 to 20 years, will meet and build friendships. In the grip of an adult conflict, which they do not understand, Matéo, Dominique, Big Max and Kevin will keep recreating, round a pond and a cabin, a family.

Thomas has killing headaches, Jean-François has stage freight and Benoit's wife has left him. After countless misfortunes the three of them bag a white collar thief that has been evading justice for ten years.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.