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An accused killer is granted a reprieve when his victim returns to town in the flesh after an eight-year absence.

A New York doctor saves a chorus girl from a window ledge, twice, and rounds up racketeers.

Sadistic killer-for-hire Philip Raven becomes enraged when his latest job is paid off in marked bills. Vowing to track down his double-crossing boss, nightclub executive Gates, Raven sits beside Gates' lovely new employee, Ellen, on a train out of town. Although Ellen is engaged to marry the police lieutenant who's hunting down Raven, she decides to try and set the misguided hit man straight as he hides from the cops and plots his revenge.

It is the Christmas Holidays and reformed thief, Boston Blackie goes to Castle Theater to pick up players who will perform for prisoners that are still in prison. He takes a girl with him who has a brother already in prison. She has visited the prison twice in the month, so is not suppose to visit again. However when the group is completed the girl is included as well as Inspector Farrady. One of the clowns in the show is kidnapped and replaced by a con who wants to get even with two ex-partners. Boston Blackie figures out that a con has replaced one of his clowns but is unable to stop him. Blackie's clothes are stolen and a murder is committed. Of course, the Inspector immediately suspects Blackie of being involved. Now it is Blackie's job to find the killer, exonerate himself and help the girl free her brother.

Slightly more elaborate than most Charles Starrett westerns, Down Rio Grande Way is set in the mid-19th century, when the Republic of Texas was poised to join the Union. Starrett plays Texas Ranger Steve Martin, who is dispatched to a "renegade" Texas country that refuses to become part of the good old USA. He discovers that the crux of the problem is a local tax collector who, with the help of a crooked newspaper editor, is systematically robbing the citizens of their hard-earned cash, all the while fomenting anti-American sentiments.

Outlaws of the Pandhandle was the last of Charles Starrett's "formula" westerns for Columbia: hereafter, Starrett would be seen only in the guise of frontier medico Steven Monroe or masked do-gooder The Durango Kid. For the moment, however, the star is cast as Jim Endicott, bound and determined to put an end to the underhanded activities of gin-mill operator Faro Jack Vaughn (Norman Willis). The villain's strategy is to get the local cowpunchers tanked up on rotgut that they'll prove to be easy pickings for a gang of rustlers-and will be unable to complete work on a railroad spur which will bypass the outlaws' hideaway.

Victor Ballard, a happy-go-lucky albeit impoverished sidewalk photographer, shares a New York City studio apartment with Polish immigrant painter Stefan Janowski. The big city doles out joy and misery indiscriminately: In the apartment below Victor and Steve, Gus Nelson learns that his wife has given birth to quintuplets, while the lonely tenant in the apartment below Gus has given up on life and committed suicide.

Steve Beaumont, an operative for the Cattleman's Protective Association, is assigned the difficult task of breaking up a murderous gang of rustlers led by Ed Brock and Strang. He takes Sheriff Webb, Judge Baxter, and rancher Ann Houston into his confidence, and works his way into the rustler stronghold and confidence by "turning rustler" himself.

An undercover agent wrongly punished for murder is paroled to a remote tropical island with a diamond mine slave labor run by a sadistic foreigner.

A brash night club singer becomes a cop to impress a woman.
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