Elsje de Wijn

Simone is suddenly confronted with her ex-wife Nora. After the loss of their daughter, they had no contact for a long time. Simone loses the balance between reason and feeling. Are the characters still believable? And are their genders still correct? Their reunion opens old wounds and throws Simone off balance. As it happens in tragedies, their lives will never be the same after that.

Seven friends meet up for dinner and decide to play a revealing game. During the evening deep personal secrets will surface and threaten their relationships.

Young musician Suus is nicknamed 'Roodkapje' for her perpetual red hat. After a local talent show, her career takes off. Overwhelmed, she and her pianist Jasper de Jager employ manager Wolf Uitenbosch. How will this modern fairy tale end?

As a young couple find themselves lost in Amsterdam en route to their own engagement dinner, tensions arise at the restaurant where their friends and family are left waiting for them.

In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.

Diane and Dora are two prostitutes who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.

Unrelenting pessimism dominates this slow-paced, dark film, the debut feature from director Digna Sinke dedicated to an archetypal born loser named Marian (Josee Ruiter). Marian is a journalist who has been working in Latin America and who arrives home just after her father dies to find out that the man she had married for purely political reasons might be deported because the authorities found out he was not living with her. Meanwhile, Marian is upset that her mother and sister are keeping her mentally handicapped brother in an institution, and she goes there to get him released into her custody -- a mistake it turns out. He is actually worse off with her, and vice-versa. On top of everything, Marian cannot break away from the depression she feels over a tragic incident that happened while she was in Latin America -- and anything she does is colored by that moment from the past. These burdens become almost too much to bear, both for Marian and the viewers.

Tim, now a respectable family man, runs into his old buddy Bodde. Bodde convinces Tim to go out with him under the motto: "Laugh, laugh, laugh!" Tim calls his wife to tell her "he'll be a little late," while Bodde keeps persuading him to stay with him for a new deal or a wonderful plan, and so they roam the country. Along the way, they swindle money from everyone and meet the young, beautiful Aafke. Isn't Tim too old for all this?

The story of a man who goes out looking for hamburgers, while he has a beautiful steak at home. Frank and Eva can't live together, but can't live without each other either. Frank has sex with every woman he can get, while Eva wants to start a family.

When Sint Nicholaas' steam boat gets stuck on the IJsselmeer on it's way to Holland, a young girl named Annabel and an old skipper called Eeltje Steur come to the rescue. When asked what kind of present Annabel would like to receive in her shoe on December 5th, she replies 'A house'.