Lana Morris

In Occupied France, a cultured civilised German ofi ccer is billeted out and stirs up conflicting emotions in the household.

A disillusioned antiques dealer takes tap dancing lessons.

An English schoolgirl suspects the foster brother she worships is a serial killer.

A mentally ill farm worker comes to believe that an injured car crash victim is his mother and becomes so unhinged that he turns to murder.

Crisis in the air: A passenger aboard a commercial airplane flying from London to New York threatens to detonate a bomb over the Atlantic.

Based on the play by Ted Willis, the film is set in the years just before World War II, when England hadn't completely dug itself out of the worldwide depression. Melvyn Hayes is featured as an aimless teenager, who tries to escape his squalid surroundings by entering a life of crime. He falls in with local hoodlum Herbert Lom, who holds the rest of the slum citizens in the grip of fear including Hayes' own family. No Trees in the Street chronicles Hayes' sordid progress from nickel-and-dime thefts to murder.

Janet Miller (Lana Morris) is a married woman caught in awkward circumstances after police investigating a murder come up with evidence, and a potentially lethal motive, which lead them to suspect her of committing the crime. Their suspicions increase when Janet is less than forthcoming about a visit she paid to a former beau. Happily, her loyal husband (Ronald Howard) swears by her innocence and quickly leaps into motion to find the real killer.

British melodrama about a cabbie befriending a girl caught up in the white slave trade.

When George discovers that he has won the pools, there is huge excitement in the household. But it turns out that it's his son who has won, in partnership with the son of a woman against whom George has some ill feelings.

Norman is a file clerk who accidentally becomes a British delegate to a diplomatic conference, befriends the queen of a remote island, and winds up a knight. Norman leaves rooms in shambles, tailors in shreds, and diplomats in bandages. Chased by gunmen and assassins of foreign powers, Norman finds himself running through active TV studio sets and interrupts various programs and performances in progress