Alfredo Sevilla

La India María must find at all costs in the recesses of a mountain the Magic Black Mirror of Tezcatlipoca, since the spirit of his great-grandfather Moctezuma II ordered her to find it in to prevent the destruction of Mexico. Alonso, a handsome Spanish archaeologist, Bianchi, an antiquities dealer and Brigida Troncoso - an ambitious governor, are aware of the existence of such mirror, of the mysterious treasure of Moctezuma and of María, so all undertake a frantic chase after her to seize the magic glass and the gold.

To celebrate his 90th birthday, an old single journalist, Sabio, wants something special from Rosa Cabarcas’s brothel: an intense night of love with a virgin teenager. The madam finds him the ideal young woman, Delgadina, a factory worker, who is selling her virginity to support her family. When he sees Delgadina sleeping angelically, he loses interest in pure pleasure and falls in love with her. That love was not meant to be true, but fate changes, and that hope is born of an opportunity for unbridled love.

Desperate to save his family from death threats by a notorious drug dealer, Mateo Cruz steals the venerated image of the Virgin of Guadalupe causing pandemonium throughout Mexico.

No plot available for this movie.

Every abandoned woman has dreamed of taking revenge on her husband. Fate gives Eva that possibility. On the first anniversary of running away to find the love of a younger woman, Joaquín, her ex-husband, has to return to the family home temporarily disabled. Eva will be in charge of taking care of him. A film about women's fear of abandonment and men's fear of impotence.

The story of a naive young man, provincial and not very experienced, to whom the circumstances of destiny, when crossing with the beautiful Frida, lead him to mature with a single blow. Rodolfo helps Frida in a car accident while she orders him to deliver an envelope. There begins the desperate flight of this innocent man fighting for his life, persecuted by thugs -who want to recover the contents of the envelope- and by the police -who seeks him for being a suspect in the death of an important diplomat.

A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.

The discovery of a diary, written in 1848 in Texas, Mexican territory, triggers Miranda Sámano's decision to travel, illegally to that land, in search of her roots and her origin and to unravel the mysteries written by Amalia Sámano in that diary. The love affair that Miranda has with Matt in Texas seems to be the continuation of the one that Doña Amalia and the Houston army colonel Robert Crossman had almost 160 years ago; and it definitely resembles the relationship that Mexico and the United States have had throughout history and whose tragic outcome we can avoid if we do an exercise of our memory.

The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.

Four lonely and disenfranchised urbanites in contemporary Mexico City: a preteen boy under tremendous emotional strain, the pretty cashier with whom he is infatuated, an enraged and embittered cabbie, and the estranged daughter of one of his fares. Per the film's title, these characters pair off, finding unexpected hope and salvation in one another.