Areen Omari

1936. As villages across Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe and some arriving with nefarious Zionist-colonial ambitions, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

Suleiman and Mona are a couple who lead a solitary life in which they care for animals and trees and have constant heated discussions about their children’s life choices. However, one day, their routine is disturbed when a stranger shows around, calling to mind a painful past.

After fifteen years of imprisonment, Ziad struggles to adjust to modern Palestinian life as the hero everyone hails him to be. Unable to distinguish reality from hallucination he unravels and forces himself to go back to where it all began.

The film discusses different ideologies in terms of religion, geography and intellect reflected as well in the current rifts between different parts of the Arab world. A group of individuals strive to find the hidden truths about themselves.

After an Israeli raid causes the two brothers, Milad and Samy, to lose everything, they decide to rent out audio equipment for various occasions, in an attempt to gather enough money to emigrate to Canada.

Tareq is released from an Israeli prison and returns to his hometown in Palestine, a place transformed by drastic changes and filled with secrets, to find his daughter. As secrets are uncovered, light is shed on the stifling nature of contemporary Palestinian society, while revealing Tareq’s hidden past. Inspired by true events.

Two young men, one Israeli and one Palestinian, discover they were accidentally switched at birth.

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity for him to film many "Cinematons" of personalities from the Arab world and to continue his "Film Notebooks" from which he brought back 7 episodes.

As Abu Laila is forced to leave his job as a judge and become a cab driver, he faces a hectic challenge when he's told by his wife to bring a gift and a cake for their daughter's seventh birthday, which proves to be a task more complicated than he expected.

Before leaving to settle abroad, Ahmad accepts one last job. He must audition actors for the new National Palestinian Theatre. On the road with interviewer Bissan and her cameraman Loumir, Ahmad goes in search of talent in the numerous refugee camps of Jordan, Syria and Lebanon. Hopefully for the last time, Ahmad experiences the insurmountable difficulties of life in Palestine: harassing searches at check points and borders, barricades, constant tension. He realizes the destiny of all waiting refugees is much the same as his own. He ends up guiding the auditioning actors into dramatizing what best embodies their destiny. But with the chance to catch his plane at risk, Ahmad could see the opportunity for his long-awaited exile slip away.