Yannis Tsortekis

The chronic suffering of a troubled son, culminates in a single long shot, as he finds his sick father unconscious and surrounded by medication.

A method actor commits a heist that goes wrong. He befriends the critically injured victim and tries to reconcile his guilt before his one shot audition in New York.

Anna, in her late twenties, feels like her life is sliding away from her hands. A ticket to a music school in Paris might be the last chance to pursue her dream unless her manipulative, self-destructive alcoholic father stands in her way.

A railway crossing in the middle of nowhere. Two guards: solitary Yiannis who never leaves his post and cool Antonis who goes with the rhythm of the landscape. Every once in a while, a voice announces the passing of a train. The two guards manually lower the bars. Nothing seems to stir their daily routine until love charges in, crushing all certainties.

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

While having a day-long swim at Athens’ queer beach, best friends Demosthenes and Nikitas recall the events of a recent summer in the prospect of turning them into a screenplay for Nikitas’ feature debut.

Michalis has barely 24 hours to redefine his life and make up for his close ones. That same night he meets a girl. He only wishes that the morning never comes.

Olga, a domestic worker originally from Albania, finds herself in a house she works in downtown Athens, at the right time. Or at the wrong one?

Marisa, a recently retired doctor, decides to travel as a volunteer to a Greek refugee camp where, in her opinion, they need people exactly like her. When she gets there, it becomes clear that she is nothing like the other volunteers. When she meets little Ahmed, the boundaries between the need to care and the need to feel useful begin to blur.

Yannis (15) and his mother are moving in at her boyfriend’s apartment. Yannis starts hanging out with Olga (40), a socially secluded hard rock woman who lives in the basement of his apartment building. Simultaneously, he associates with a group of teenagers, the leader of which bullies Olga whenever he sees her.