Virginia Lago

An epic about one of the most turbulent times in the recent history of the Buenos Aires suburbs. In this context, a group of idealists emerges who are specifically called: "The bastards."

No plot available for this movie.

It describes the dilemma of a director in front of his characters and the search for a fetish actor who ends up being his great love. As if it were a documentary, the director remembers moments of his life and fragments of the filming of his film. That film tells the story of a poet who comes from the 19th century and contemplates the pain of the 20th century. There are tributes to her ancestors, especially her Piedmontese grandmother and her contemporary idols: actress Bárbara Mugica and Luchino Visconti.

A playwright going through a period of crisis returns to his childhood home and begins to nostalgically recall the relationships that shaped his life.

The film tells the story of a long-divorced couple who have watched their now-adolescent son grow up separately. This brings a sense of remorse that affects the parents, who decide to reunite to offer their son a way out of the hopelessness he finds himself in.

Between farce and grotesque, John, who has lost his job, in a collective versea values ​​of a knife sharpener, can not against debts contracted or can with his family, wife and two kids. One day, the woman left, runs out of credit and Juan is left with only his dream of being a radio announcer.

An honest worker is forced to commit a crime for social reasons and unpleasant personal circumstances. After serving a prison sentence, he tries to rebuild his life.

No plot available for this movie.

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.

The film's theme is the attitude of adults towards the adoption of minors.