María Félix

Twenty years after her death, María Félix, a figure of Mexican cinema, is a model for free and independent women who are in control of their lives. Known as La Doña, she was a beautiful and strong woman. Admired and ahead of her time, she is our eternal diva.

The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.

A captivating diva, incarnation of Acapulco, remembers when she was the most famous movie star of Mexico. Meanwhile, Marco, Javier, Félix, Alfonso and Yolanda are getting ready for Easter Week, the period when the city revives, recovering for a few days its past glory. Each one tries to survive his own way in that paradisiacal set that everyday looks more like hell.

Based upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.

Documentary about the presence of Latin American culture and actors in American movies.

Untouchable, inaccessible, ungraspable... Maria Felix is one of the great myths of Latin American cinema. Fatal passions, multiple marriages, sudden deaths and fabulous diamonds, these are the components of the legendary life of this artist. Through the excerpts of her films and the archive material we can understand her characters and how this life of splendor also led her to the high solitude of her mansions, temples of her cultures.

During the Mexican Revolution, a hardened and rich lady landowner is overtaken by the violence of the times. Losing her land and house, she falls in love with a revolutionary leader that is killed by a sadistic and corrupt federal officer. She takes the revolutionary flag and leads a rampage of violence and destruction.

A smuggler, condemned to be shot, is pardoned in exchange for kidnapping "La Valentina."

Independently-wealthy woman tries to break free of repressive, conservative cultural constraints.

During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.