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Newly-engaged Conor and Roxy celebrated a small, impromptu engagement party with a close group of friends at a relative’s lake house. Thomas Mitch, a filmmaker, was in attendance. Conor, knowing that Mitch would attend, used the opportunity to work on his junior psychology dissertation project: a collection of video interviews. Mitch brought his Canon XH-A1 HD video camera with him and began recording. The camera was found, still recording, by the police. They refuse to release the tape. Was absinthe the cause of the murders? You decide.

A Parisian artist becomes addicted to the liquor absinthe and sinks to robbery and murder.

In October 2009 I did a show in Prague. I returned to the Kafka house of my ‘Benefit of Mr K’ but found the whole street and Castle area had become a tourist trap – so I wandered into the back-streets at the bottom of the hill and found a little local bar for a plate of sausage, mustard and strong brown bread. Intending to drink some wine I noticed that Absinthe was included in the drinks list so ordered it. I admitted to the bar-keeper that I had never had it before and he showed me how it should be mixed and flamed with sugar – and I recorded with my pocket video camera. With a little gesture to Picasso and Degas, I became the Absinthe Drinker.

A French artist in love with his model, but is abandoned by her because he is addicted to absinthe. He dreams about how his life is going downhill as he continues to drink.

Absinthe: was it ambrosia or poison, artistic muse or ticket to madness and death? There is a tremendous fascination with absinthe, yet few truly know its rich history. The documentary ABSINTHE definitively brings the Green Fairy out of her clouded past where, for one hundred years, her fabled effects and demonized reputation have excited equal doses of admiration and loathing. The film traces absinthe’s arc: from its birth in Switzerland in 1787, through its rise in the chic cafés of Belle Époque Paris, to its prohibition, and its recent worldwide revival. Absinthe’s story is put in high relief through interviews with leading historians, authors, distillers, antiques collectors, and fanatics. The cult beverage of bohemian artists is back in fashion; the documentary ABSINTHE clarifies the legend.

Gentlemen get into a misunderstanding over absinthe.

This montage, based on a 1920s pornographic film from the Pathé-Nathan company, uses old prints worn and scratched by generations of projection.

Summer night, in a smokey bar where lonely foreigners sipping their last glass. That night, Angelique decides to part with her lover Ernest. Under the influence of absinthe, For her, nothing seems more like before.

On his maiden trip to Japan, a Samurai-obsessed American named Frank is taken to a local, hole-in-the-wall bar by his friend, Hiro. After being rejected by the first local girl he speaks to, Frank feels down on his luck, and to console him, the bartender offers him a drink called Absinthe in a bright green glowing bottle. To help console his friend, Hiro drinks the bottle with Frank, and the two of them promptly pass out. Together they wake up in Edo-era Japan, and are taken through a comedic time slip action frenzy where they have to work together to battle both samurai and ninja to find their way back home.

A New York based writer meets an old publisher who offers to send him to Paris for a change of scenery. There, he unwillingly becomes the accessory to a plot to steal artwork from the Musée d'Orsay. Or is this really happening?

A catfishing troll finds himself on the wrong side of the hook

This underground classic is considered by many to be Absinthe Films' greatest work to date. Transcendence marks the beginning of new kind of snowboarding film.

Tired of the same old formula? Here's some next level shit that will be setting the new standard. Rice, deMarchi, Solberg, Jones and Pauporte deliver some unforgettable riding, while names like Muller, Kalbermatten and Moore make some big deposits of their own in your long-term memory banks. This breakthrough film includes impossible new camera angles that let you tag along within high-fiving distance of some of the best riders on the planet.

A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.

The lack of snow in much of the world, and a lack of snowpack stability in most other places, made this winter exceptionally challenging. Mentally and otherwise. A bit like a riddle, a maze, and a game of chicken rolled into one. With heavy consequences for not playing at the very top of your game. Lucky for you, (and for Absinthe) we were at the right place at the right time. But that would be a long and weird name for a movie, so we decided to call this one HEAVY MENTAL. You will be rocked. Riders include Victor De Le Rue, Austen Sweetin, Bode Merrill, Jason Robinson, Mat Schaer, Wolfgang Nyvelt, Manuel Diaz, Victor Daviet, Johnnie Paxson, Romain De Marchi, Blair Habenicht, Scot Brown, Ozzy Henning, Rusty Ockenden, Nils Arvidsson, Mathieu Crepel, Sylvain Bourbousson, Helen Schettini, and Mike Basich

Dopamine is a naturally occurring chemical in the brain that influences movement and reward. At the core of progressive snowboarding, it is movement and reward that provide a natural motivation for riders like Bode Merrill, Victor De Le Rue, and Brandon Cocard to evolve and innovate. These explorers of mountain and mental landscapes led the charge this year, changing the definition of what can be done on a snowboard, and changing the guard. From the Yukon, Kootenays, Valhallas, Monashees, Dolomites, and Pyrenees, the Absinthe crew proves Dopamine is free, but you have to get out there to earn it.

A young, unfaithful wife and mother is thrown out by her cold, unforgiving husband, the Attorney General of France. She is barred from ever seeing her three year old son again despite her earnest attempts to make amends. For many years the mother seeks refuge overseas and in Absinthe. In the end, her son, a young and promising lawyer unknowingly defends her in court. Ruth Chatterton gives a marvelous performance in this early talkie in her portrayal of Madame X.

Neverland is a state of mind, a mountain pushed up from the ground by imagination. Anyone can go but most people have trouble with the simple directions: Follow your dreams. This winter Absinthe dropped down the rabbit hole to explore this elusive place and brought back some mind bending tales and a pocketful of surprises.

Once again Absinthe Films raises the bar to bring you 'More'. This title marks the beginning of a new era for Absinthe Films as they have broadened their scope to include and properly represent urban riding while still keeping the overall blend fresh and un-repetitive.

Absinthe remains committed to documenting these amazing riders with the most timeless and stylish medium: Film. Following up to last year’s question ‘Optimistic?’, Absinthe answers with a crew of riders who overcome obstacles with spontaneity and skill in another full spectrum snowboard film that is down to have some more fun with snowboarding. Ready.

Prince of the Crimson Void the ninth film by Denver auteur filmmaker Dakota Ray-is a gothic, Absinthe and drug induced cinematic voyage into evil and decay.

House of the Wizard's Blackened Soul-a short by filmmaker Dakota Ray-follows Gideon, an alcoholic psychopath, as he cares for his mute grandfather in a decaying home, spiraling into madness, moral decay and self-destruction.

It's December 22nd - but two nihilistic partners are still celebrating Halloween every night at a depraved carnival in the woods. Over the course of the Hellish night they will begin to question their lifestyle.

This picture deals with the fates of Gaston Beauvais, an aristocratic young banker of Paris, and Pauline de Chauvilles, his fiancée. Beauvais discovers that Sylvion, his best friend, has long carried on a clandestine love affair with Pauline. An artist acquaintance urges Gaston to comfort himself with absinthe. Gaston in his despair yields. From that moment the wreck of his career begins. Maddened by absinthe, he denounces Pauline at the marriage-altar on his wedding day, as Sylvion's cast-off mistress. Still driven by absinthe, he murders Sylvion and ultimately his brutalities drives Pauline, now a pitiful outcast of the streets, for she fled her home in shame after Gaston cast her off, to end her pathetic existence in the dark waters of the Seine.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.

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