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When an innovative modern architect flees post-war Europe, he is given the opportunity to rebuild his legacy. Set during the dawn of the modern United States (in Pennsylvania), his wife joins him, and their lives are forever changed by a demanding, wealthy patron.

Clara, a young woman increasingly overwhelmed by modern society and constantly bombarded with stimuli, finds herself in a deep state of apathy. When a tragic event triggers a rupture in her perception of reality, her growing indifference to the world around her is laid bare.

Hieronymus Rivera, a strong force in the New York fashion underground, is offered the deal of a lifetime by Cecilia Meadows, a government official who is the head of a new secret program called DAFTCA. What begins as a simple agreement to design uniforms for the organization, soon finds Hieronymus in the center of a vast web of conspiracy.

An old-school film photographer struggles to find his place in the modern world… and isn’t particularly happy about it, either.

A short spoof of the Brutalist.

Robin Hood Gardens - concrete eyesore or masterpiece in Brutalist architecture? The controversial housing estate, built in 1972 by Alison and Peter Smithson, is under threat of demolition by a local council keen to cash in on the sky-rocketing value of land in the East End of London.

An award-winning wordless documentary that explores the architecture of the then new St. Peter's Seminary which is now seen as one of the most important post-war buildings in the United Kingdom. The film was made in celebration after architect Jack Coia was awarded the RIBA Gold Medal in 1969. Winner of the Medalla de Bronce at the Fifth Union of International Architects Festival in Madrid (1975).

In a corporate world where people walk backwards, Minus needs to control his instincts to fit in society and climb the social ladder.

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A Dalek leaves its work station in search of its missing neighbour

Bauta is a short documentary that explores public, monumental buildings in Norway - stone and concrete buildings. By the public they have the desire to be torn down, or are not given particular aesthetic value. But what about when people are out of the buildings and they get to stand for themselves? Bauta provides a new experience of space and architecture.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.

Black giants break classical architecture and rebuild them into Brutalistic structure.

Beneath towering Brutalist architecture, a man is driven to do what must be done.

"A Brutalist film-poem about the nature of a family tree and the macabre ancestral tales that work their way into your identity, whether you like it or not. A collaborative work that blends the poetry of Adelle Stripe, the music of C.A.R., and my hand-processed Super 8 imagery." — M.J.

A visual journey through Norwegian modernist church architecture. A short documentary film that pays tribute to the Norwegian church and post-war postmodernist architects for its daring reform of the 50-70's innovative church building. Raw concrete and cold clean lines in a functionalist style were in line with society's development, but in stark contrast to what the church had previously represented. The film portrays 25 of these churches from all over the country