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Bathed in the half-light, a bus station north of Cordoba in Argentina. Waiting, and the arrivals and departures of the local buses punctuate the lives of these workers and travellers. Far from making an observational documentary, Gustavo Fontán crafts the ghostly portrait of a place of transit where the traces of those who bring it alive resonate and are muffled, blending mystery with everyday life.

William Keane is barely able to cope. It has been six months since his six-year-old daughter was abducted from New York City’s Port Authority Bus Terminal while traveling with him. Repeatedly drawn to the site of the abduction, Keane wanders the bus station, compulsively replaying the events of that fateful day, as if hoping to change the outcome.