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Takarazuka special festival.

Zé Rocha is a director trying to shoot his first film. He dreams of making a professional movie, and starts shooting in 35mm. But as his budget begins to fade, he changes to Black-and-White, then gradually down to 16mm, Super-8 and, in the end, to his despair, to the video format. With the help of Edna Marla, producer who is searching for the Holy Grail of a genuinely 100% Brazilian celluloid; Dona Martírio, his mother, former left-wing activist; Guará Rodrigues, an underground Brazilian movie star; and Lila Lessa, who stars in a 6 p.m. soap opera, they develop strategies and outlandish plans to win the insane battle of filmmaking in Brazil.

A French-language remake of Douglas Sirk's "The Court Concert" (1936).

Takarazuka Revue's special performance including all troupes.

Lenka Dusilová is an extraordinary figure in the Czech music scene: an original composer, multi-instrumentalist, and unmistakable voice with over two decades of a distinguished solo career. Emerging as a wild rocker in early ’90s bands (Sluníčko, Lucie, Pusa), she gained widespread acclaim with her debut solo album “Lenka Dusilová” (2000), earning the first of many Singer of the Year awards. Brave and unpaved, she then charted her own path as an interpreter of her own songs, releasing solo albums such as “Spatřit světlo světa” (2002) and “Mezi světy” (2005). Over the years, Dusilová delved ever deeper into a unique personal expression, blending influences from diverse styles and life experiences on albums like “Eternal Seekers” (2008), “Baromantika” (2011), and “V hodině smrti” (2014).

In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.

André is a loser. He dreams of becoming a great writer and being sought after by wonderful women. To make something interesting happen in his life he visits political meetings.

No description available for this movie.

Julien, a young teacher, is wrongfully accused of sexual misconduct by a teenage girl from his class. As he faces mounting pressures from the girl’s older brother and her classmates, the situation spirals out of control. Allegations spread, the entire school is thrown into turmoil, and the teacher has to fight to clear his name.

In the peaceful world of Little Nicholas, there is Daddy, Mommy, the school, but above all, his band of friends. They are called The Invincibles, but above all they are inseparable. At least they think so. But when Dad gets a promotion and announces that the family is moving to the south of France, Nicolas' world falls apart. How can he imagine life without his best friends?

No description available for this movie.

The death of a school friend forces Toño to face the ghosts of his past while at the renowned "St. Vierja Academy," one of Panama's most exclusive catholic schools for boys during the 1970s.

The love affairs of Bob, a womanizer and seducer and Mammouth, the unhappy loner.

“Only your son knew it best. At the very last moment he passed away, we were still loving each other.” A testimonial written by a daughter-in-law regarding the tragedy in 1984. As a wife, Thida would stand for her innocence against the accusation of intentional murder. As a mother, Lady Valai would do anything at any cost to redeem the lost of her son. One does not touch but another gets hurt. Once the death of someone is narrated its griefs and pain by those who still live, what else we could witness amongst many versions of narrative that overlaps in one space.

15-year-old Soma escapes her controlling mother and finds herself at a train station, where she encounters a compassionate stranger. As they connect, both face their struggles and find unexpected solace.

Few know José Ignacio Solórzano—a balding man with everyday troubles like money and marriage. But everyone knows Jis, the beloved cartoonist whose humor and art have left a mark on the country. Mollusk tells the story of both, exploring how creativity and laughter can help overcome life’s challenges.

For this new production at the Bayerische Staatsoper, stage director Kornél Mundruczó and conductor Andrea Battistoni don’t shy away from the violence in this score and libretto. The 1970s setting presents the action as Cavaradossi incarnating Pier Paolo Pasolini in his final days, filming his controversial movie Salò.