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Patrice Lumumba – the first Prime Minister of the newly independent African state, The Congo. To fellow Africans he was a hero – the man who had won his country’s independence from the Belgians. But for the secret services of the western powers he was a threat. It was at the height of the Cold War, when the superpowers of both East and Western blocs were competing for spheres of influence in the New Africa. Congo was vital to Western interests because of it’s vast mineral resources. The West believed Lumumba was pro-soviet and would open the door to communist control of this mineral rich region. CIA agent Larry Devlin received 100,000 dollars from the Agency along with telegraphed instructions to make the “elimination of Lumumba” the “priority goal” of his covert action.

How can art be liberated from the ethnological context of former colonial rulers? The documentary series presents Africa's new museums. The Théodore Monod Museum in Dakar, for example, dates back to the times of French colonial rule in Senegal. Its ethnological collections were once used for research from the perspective of the colonial power. Can the museum reinvent itself?

In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.

Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.