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Wayne is an insecure writer and when his stories are published without recognition, he seeks justice to get the credit he deserves.

Arnold is a popular online erotic fiction writer famous for his ‘Sex with senior student’s girlfriend’ and ‘Friend’s older sister series’. However, he is writer Dong-myeong (Choi Jae-hwan) in reality, who dreams of winning the New Spring Literary Contest and works as tutor at a preparatory school to make a living. One day, his first love So-yeon (Wang Bit-na) appears in front of him. She claims the copyright of his novel, ‘Sex with senior student’s girlfriend’ and asks him to share the profit he has made from the novel so far.

An introspecitve deep dive into one mans triumphant arc playing a video game.

A young director shares his drafted script with his friend only to be surprised that his friend betrays him.

A 2011 comedy adventure brickfilm directed by Maxime Marion and co-written with Lilian Ginet. It is the second film in the Henri & Edmond series. After downloading a song, Henri is tracked down by a copyright protection agency. There's only one plastic figure who can save him, his best friend Edmond, the fireman.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).

Colin Zsigmond is a middle-aged novelist suddenly turned wealthy and famous after decades of hardship and poverty. One evening during a literary lecture, the recently divorced man meets Phoebe Lee, an exotic woman with whom he starts a steamy romance. At first, it seems he has found himself the perfect muse. Phoebe is young, ravishing, madly in love, and an English major student to top it off. But slowly her mysterious behavior starts to trouble him. Something isn’t quite right, as she appears to be leading a secret life. When Colin starts to investigate, it turns out his past is coming back to haunt and terrorize him in a rather unexpected way.

An apple is squished to the soundtrack of its amplified demise.

“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.

Explores copyright infringement through examinations of the law itself, social media's impact on art, and how the art is valued, featuring artist CJ Hendry on the run of her annual exhibition.

An OPENSOURCE film about copyright, teenagers & internet.

A short animation film on Martin Luther and the origins of the Reformation, one told with wry humor and paper cut-outs.

With his grainy women's portraits, Gerard Fieret (1924-2009) managed to antagonize the entire late sixties establishment. In his mouse-infested studio he photographed his semi-or wholly undressed models as well as himself. His photographic work is increasingly recognised by collectors and museums. This documentary film by Frank van den Engel was shot during the final two years of his life. The camera shows Fieret alternately lucid and confused, stubborn and cooperative, accusing all and bemoaning his physical decline. (Summary from WorldCat)

Experimental film by Bruce Licher.

A film made in the midst of the war between TBE film productions and various copyright holders.

Under the neon labyrinths of a futuristic Osaka, a man searches through data and shadows for the mysterious entity that has hacked into his body

Director Caio Omena presents his ideal about being against copyright.

A girl spends the night making a dress, but is met with an unsettling result.

An intimate portrait of a peasant-turned oil painter transitioning from making copies of iconic Western paintings to creating his own authentic works of art.

TPB AFK is a documentary about three computer addicts who redefined the world of media distribution with their hobby homepage The Pirate Bay. How did Tiamo, a beer crazy hardware fanatic, Brokep a tree hugging eco activist and Anakata – a paranoid hacker libertarian – get the White House to threaten the Swedish government with trade sanctions? TPB AFK explores what Hollywood’s most hated pirates go through on a personal level.

In 1988, American video game salesman Henk Rogers discovers the video game Tetris. When he sets out to bring the game to the world, he enters a dangerous web of lies and corruption behind the Iron Curtain.

A young and successful copywriter Alan Despot, after trying in vain to renew a broken relationship with his girlfriend, goes to the island of Vis and finds himself torn between his eccentric father, another ex-girlfriend and her fiancé. New situations and circumstances help Alan to view his own life from a new perspective.

No description available for this movie.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

As the novel 『LimGeojeong』 becomes a great success, the publisher and the writer's bereaved family in North Korea meet to solve the copyright problem. Their exchanges between South and North Korea create another novel-like story that condenses issues in various fields including politics, economy, and culture together with concerns and hospitality.

A film about Men At Work, their hit single Down Under, and the Kookaburra controversy. The band were sued for copyright infringement and faced the label of 'plagiarists', 35 years after their success. An examination of the organic development of the song, its commercial success and cultural significance and questions the relationship between art and law, influence and copyright.

Directors Twila Raftu and Shaun Cronin explore the controversial issue of free data exchange and the growing impact of copyright legislation, intellectual property laws and digital rights management from the viewpoint of those dedicated to the unregulated flow of creative products and information. Advocates of "free culture," including Xbox hacker Andrew "Bunnie" Huang and underground rapper Adam "Doseone" Drucker, offer opinions and commentary.

RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

Star Wars fans, party clowns, scientists, a Rolling Stones tribute band, a private detective, teachers, artists, DJ's, magazine editors, top legal scholars, FBI agents, corporate litigators and many more tell an "extraordinary" tale about how ownership of ideas has come into conflict with free expression. "Willful Infringement", which premiered 2003 at the San Francisco Museum of Modern Art, has been acclaimed as an entertaining, surprising and sometime shocking report from the front lines of intellectual property. This movie has screened at the Andy Warhol Museum in Pittsburgh, the Seattle Art Museum, the Franklin Institute of Science in Philadelphia, at the 17th Leeds International Film Festival, and at numerous universities, law schools and cultural events.

A documentary about the Swedish organisation Copyswede and the work they claim to be behind. If you bought a USB drive, hard drive, DVD, CD, computer, iPhone or another device that can be used in private copying, you are directly affected, whether you like it or not. This documentary will investigate and discuss the organisation Copyswede and see how it affect, improves or directly work against the copyright laws, electronics industry, wholesalers and retailers, not to forget the consumer and the creatives.

Documentary tells the story of the book and shows what impact its racist and ultra-nationalist content has on us today, where arson attacks, right-wing riots and hate comments against asylum seekers are the order of the day.