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Every year in June, the small Bulgarian village of Balgari celebrates St Constantine with a special ritual. Initiated ‘nestinari’ go into a music-induced trance and dance on bonfires in a display of religious passion.

Master at Work "Lil" Louie Vega presents a look at what Dance Ritual means.

Siberian music and dance is little known outside Russia, in academic accounts too often considered as merely an easterly extension of European Russia or a northerly extension of East Asia, or experienced both onstage and in audio or audio visual recordings as part of an exoticized "Other". Here, filmed and directed by Misha Maltsev and Keith Howard, we illustrate the colour and vitality of cultural production in the region. We include a large variety of voices - ritualists, musicians, dancers, administrators, academics, and audiences young and old. Filmed in June 2001 and July 2006, this documentary (in two parts) includes footage of two key festivals, the Sakha Ysyakh and Buryat Altagarna, solo and ensemble performances and interviews with staff at the East Siberian Academy of Arts, and vignettes on the khomus in Sakha-Yakutia, the Old Believers (Semeiskie) in Buryatia, shamanism in both Republics as it is remembered, revived, and given within ritual practice, and more.

Deliveryman Jong-su is out on a job when he runs into Hae-mi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return, she introduces to Jong-su an enigmatic young man named Ben, who she met during her trip. One day Ben tells Jong-su about his most unusual hobby.

Six students were terrorized by a mysterious dancer while running a community service program in a remote village. Apparently, one of them violates the most fatal rule in the village.

A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.

Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won't hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune. Based on Nikolai Gogol’s short story “The Eve of Ivan Kupala” (“St John’s Eve”) and Ukrainian folk tales.

Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”

When a teen girl is possessed by a singing spirit after visiting the mystical Watu Kandang, her disturbing behavior brings turmoil to the village.

Mirah, a woman shunned by her village after the mysterious deaths of men connected to her, seeks refuge in a Padang restaurant owned by Bana, who falls in love with her. As more men die, Mirah discovers she’s cursed by her stepsister Puti with the deadly “Bahu Laweyan” curse, which kills any man who becomes intimately involved with her. Fueled by revenge, Mirah plans to destroy Puti’s happiness by targeting her husband. Despite the deadly curse, Mirah and Bana craft their own tragic love story, choosing to be together no matter the consequences.

Mourning the accidental death of his wife and having just moved to New York with his young son, laconic police psychologist Cal Jamison is reluctantly drawn into a series of grisly, ritualistic murders involving the immolation of two youths.

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Young ant is coming back home after a hard-working day and performing his evening routine rituals. Suddenly, someone wants to disturb him.

A criminal comes to town in order to kill Billy Chong over a past dispute. But instead of getting his own hands dirty, he hires a Taoist wizard to animate some zombies to do the job for him.

On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.

Beauty and the Beast: Comparing Two Igbo Masquerades By Herbert M. Cole

Bertolt Brecht asked whether there would be singing in the dark times. In the throes of war, the United Ukrainian Ballet Company defiantly insists there will be dancing, too. Far from the land they call home, young dancers take quiet comfort from art. For a while, their work feels like the old days, except there is a new troupe member: a soldier learning to dance with prosthetic legs.

Alva receives news from her long-lost husband, Russell, and goes to Africa in search of him. There, she finds that her husband is being "held prisoner" by a naked native princess, called Loma. Now, in order to bring Russell back home, Alva must show that she's better than the princess.

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Nate, a workaholic drummer, spends all his time practicing, always striving for perfection. After he meets Yazmine, a like-minded, dedicated modern dancer, he realizes that the key to success isn't just to work hard – sometimes it requires you to play hard.

A husband and wife recall an event when their love was tested amid Punjabi pre-wedding customs, as their family continued to create a scene due to cultural and racial differences, which persisted despite the customs.

Tanti, an 18 year old traditional dancer, discovers the profound meaning behind every movement. Under the guidance of the wise Guru Candramaya, she learns that dance is not merely about steps, but a language of the soul that tells stories of love, struggle, and hope. Each movement becomes an expression of emotion, leading Tanti to understand herself and the world in a magical way.