Search Results for "dance theatre"

One of Brazil's most popular contemporary dance ensembles, Grupo Corpo combines Afro-Brazilian movements with ballet and modern dance to create an innovative and visually dynamic stage performance unlike any other. Documentarian Jürgen Wilcke gives viewers a glimpse into the inner workings of this world-renowned troupe as the 19 dancers prepare to wow audiences around the globe with their energetic presentations of grace and passion.

A documentary that collects for the first time and in an almost anthological way the historical repertoire of the Lindsay Kemp Company's shows, from the end of the 70s to the 90s. With footage from the Rai Teche and private archives, and an intimate and touching unpublished interview conducted by the director in her home in Livorno. The documentary is unique in its kind because it collects for the first time in an almost anthological way the repertoire of the shows of the glorious Lindsay Kemp Company from Salome to Flowers, from A Midsummer Night's Dream to Duende and Onnagata, up to the last show Kemp Dances. Lindsay Dances celebrates one of the most original, creative, and innovative artists in contemporary dance theatre. The documentary was nominated by Rai for the 72nd edition of the Prix Italia 2020.

A visually stunning paean to spiritual pilgrimage that creates a world of intense reverence, distinctly Asian in its imagery. Set to Georgian folksongs with 3½ tons of shimmering golden grains of rice.

The Cloud Gate Dance Theatre of Taiwan performs their elegant Tai Chi-based dances to the music of J.S. Bach. Choreography by Lin Hwai-Min. This dance film examines the correlation between essence and appearance, effort and effortlessness, man and woman , all explored using water, mirror, light and reflections.

The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.

Alvin Ailey played a key role in the growth of modern dance in USA and his company, founded in 1958, is one of the USA’s oldest dance troupes as well as one of the most youthful and vital on the dance scene. In this two-part program, members of Ailey's dance company celebrate his memory by performing three works choreographed by Ailey himself, as well as a special ballet tribute choreographed by Ulysses Dove. Each piece is introduced by Judith Jamison, the dancer and choreographer whose career was nurtured to stardom by Ailey, and who was, at the time of this production, Artistic Director of the company. The Alvin Ailey Dance Theater is uniquely eclectic in range, repertory, and style. As a choreographer, Ailey explored the black experience and went beyond, finding universal human truths in all his work.

In Japanese theater, women's roles are traditionally played by men. The man playing the woman's role, the Onnagata, does not imitate the woman, as in the West, but tries to capture her significance. He need not stick close to his model, but draws far more from his own identity - a shift of value takes place, which is nonetheless not a step beyond. THE WRITTEN FACE is an attempt to offer an insight into the Japanese Kabuki star Tamasaburo Bando, one of the last defenders of this ancient and disappearing performing tradition.

Dazzling, brash and dynamic, yet equally graceful and poetic. DIVINING was Judith Jamison's first major work as a choreographer for Ailey, evoking a strong feeling for African tribal ritual, is set to hauntingly rhythmic drum music. REVELATIONS, often describes as the company's signature tune, has become an American classic. It expresses Ailey's intense feelings for his roots, with Ailey's vivid "blood memories" of the blues, spirituals, gospel music, ragtime and folk songs as well as the hard life of the Southern black during the Depression. Set to Modern Jazz, THE STUCK-UP takes place in modern-day Harlem, about the cruel reality of urban street life as a young man is destroyed by drugs. CRY, choreographed by Alvin Ailey in 1971 for Judith Jamison, is one of his most famous pieces. Created as a birthday present for his mother, it is Ailey's tribute to black women and inspires moving emotions with its portrayal of struggle, anger and most importantly, its feeling of celebration.

“Butoh,” literally “dance of darkness,” is an avant-garde form of dance from Japan that few know about, and even fewer practice. As its only practitioner in Singapore, Xue tells us how she fell in love with this obscure, yet liberating, art form.

Maurice Hines -- actor, director, singer, and choreographer -- navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

About two key pioneers of Swedish dance in the 1900s: Birgit Åkesson and Birgit Cullberg. Both were born in 1908 and became choreographers who made a big impression in the international dance history. Birgit Åkesson, in the serious "Fertility" directed by Alf Sjoberg, debuted in 1934 in Paris. She was co-designed the European avant-garde modern dance language, and created in the 1950s and 1960s, legendary works for the Stockholm Opera together with others including composer Karl-Birger Blomdahl and Erik Lindegren as librettist. Birgit Cullberg gives a much more relaxed and humorous impressions in "Antonius & Cleopatra", directed by Gerd Osten. Cullberg got her big break as a choreographer a few years in "Miss Julie" in 1950. After spending some time abroad Birgit Cullberg returned to Sweden and formed in 1967 the Cullberg Ballet, which she led until 1985. Topsy Håkansson, who performs the role as the gypsy.

Witness an epic, heart-rending journey of the soul, as Opera North, Phoenix Dance Theatre, Jazzart Dance Theatre and Cape Town Opera combine for a powerful performance. Filmed at Leeds Grand Theatre, this unforgettable contemporary dance staging of Mozart’s great choral lament is choreographed by Dane Hurst and conducted by Garry Walker. Featuring soloists Ellie Laugharne, Ann Taylor, Mongezi Mosoaka and Simon Shibambu alongside the Chorus and Orchestra of Opera North.

Lin Hwai-min's Cursive II is inspired by the aesthetics of calligraphy. Set to music by John Cage, it is an exquisite meditation on the balancing of opposites presented in delicate simplicity, allowing no distraction from the details of the dance.

Join acclaimed dance innovator, Margaret Beals, in her exploration of the art of improvisation. In this short documentary, Ms. Beals demonstrates the power and authenticity of improvisation as performance and also as a tool of discovery for any creative endeavor.