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A drone inhabited by the mind of a property developer arrives ‘top down’ from above and flies through the newly built residential neighbourhood in East London and gathers data at twilight. During the journey it maps the new utopian space it has built with its mechanical gaze, commenting and interacting with its findings, ‘We want to contain and retain our residents’. This is a place built in a bubble, controlled within the walls of developer’s billboards. Privately owned, East Village is awash with branding and reaffirming smiling faces. Purchase a luxury flat and buy into the services, life style and more. As the drone declares ‘Everything you need is here!’ With Westfield shopping mall on your doorstep, its ever present logo glowing like a beacon of hope, why would you ever want to leave?

A portrait of a desperate man in the East Village circa 1996.

Shot in the rural Chinese province of Hebei, this work captures a pack of wild dogs scavenging in an arid desolate landscape. East of Que Village considers the impact of Chinese industrialisation and urbanisation on rural communities, casting fresh light on those neglected by the new social-economic paradigm. The dogs, which literally have to eat each other to survive are juxtaposed with a group of villagers who struggle in the same ways. The work reflects the sense of isolation and loss increasingly present in Chinese society as communities are scattered, traditional rural villages are dissolved, and the fight for survival takes hold. The work's title signals to the only road leading from the village to the outside world.

Richard Sandler's gritty city symphony takes stock of New York's Lower East Side with a decade's worth of moments and encounters that would otherwise be lost to history.

An unbelievable five cameras cover this monster live show from Gongzilla, which includes a four-minute drum solo by jazz-rock guru Gary Husband. A memorable set list includes "Sinister Minister," "Hanniface," "Aquila," "Thrive," "Lilly," "Bad Habits," "Gongzilla," "Soli" and "Image," with a special guest appearance by Chuck Garvey from the jam band Giant Moe. Exclusive footage shot from a day with the band in the studio is also included.

Three friends spend an unseasonably warm day together in the midst of immense loss.

An interaction between two downtown legends and a pigeon.

It's autumn in New York. Sam has broken up with his girlfriend and his father has recently died. World-weary and sloppy drunk, he finds temporary solace in the arms of Anna, a mysterious vampire who draws him away from his friends and into a web of addiction and madness.

1989, New York City's Alphabet City and East Village. A year after the Tompkins Square Park Riot, squatters and their community allies try to stop the demolition of their building after an arson. Police forces occupy the neighborhood while the demolition continues. A portrait of an East Village that is no more. An homage to the voices and sounds of a neighborhood before its gentrification.

Danny Roberts shave his head after completing post-production on the film, "The Last Nice Sunday in the East Village"

Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

The year 1966, gender crosschangers and homophiles from around the country are gathering inside a filthy, decrepit theater in New York's crime-ridden East Village for "NightGowns" -- Miss Xandra's ALL-DRAG pageant.

Spotlighting the art of drag, and centered on the New York staple Wigstock, this documentary showcases the personalities and performances that inform the ways we understand queerness, art and identity today.

A cinematic love letter to a pre-gentrification New York City

Anita's boyfriend Mitchell dumped her after 3.5 years for Heather. All she can think about is humiliating him, mostly in poems that are bitter, banal, and hilarious.

Sunday at Il Posto Accanto is a deeply personal, hybrid film blending documentary techniques with narrative storytelling. Set in a beloved East Village restaurant during the early days of reopening after the pandemic, it stars Victor Rasuk, Danny Hoch, and the real people who made the place a sanctuary for community. At once funny and poignant, the film is a meditation on grief, resilience, and the small rituals—both absurd and sacred—that keep us connected. It’s rich with character, brimming with the kind of imperfect charm only real life can deliver. Il Posto is about a neighborhood, a family—chosen and otherwise—and the quiet beauty of coming together after isolation. Made on a modest budget with a lot of heart, it captures a moment in time when the simple act of gathering felt nothing short of holy.

Video, colour and sound (mono)