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A depiction of the lives of four young girls, Mona, Amira, Layali and Salma, who have developed intimate friendships over the years. When they finish their studies, they part ways as each pursues a different path, and each encounters obstacles along the way.

"The Undefeated Femininity" - a film about Gun Grut Bergman. In September 1949 Ingmar Bergman left his wife and five children, and escaped to Paris with a new woman, Gun Grut. It was the beginning of a passionate love affair, an enduring jealousy drama and a new theme in Bergman's films. Now their son, Ingmar Bergman Jr, walks in his parents' footsteps, from Paris to the home on Grev Turegatan 69 in Stockholm.

Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.

Sanaz, Saedeh, Tala, Ladan and Beheshteh, each with a unique story, but one thing in common: live in a women's shelter in the south-end of Tehran, either by choice or by force. But now they all aim to change their lives for better, even if it is just for a tiny bit.

Five different stories about women - their loved ones, passion, family and what they really want in life.

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Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance. Shot primarily on Super 8, the project merges academic and creative critique -- a document of gender de-construction rather than a documentary about gender construction.

A man feels abandoned because his wife is too busy with her incredible success as a lawyer. Because of this, he ends up falling into infidelity and showing certain contradictions in his wife.

Two young married couples are interlinked by a common thread - murder.

Humor and critique blend seamlessly in this year's Female Lines. With stand-up comedy, sketches, and special guest appearances, the show dives into important themes of the female experiences.

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.

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Inhabiting the words of Hollywood icons from Judy Garland to Joan Crawford trapped in an airless world of old-fashioned TV glamor, Lypsinka guides us through her fever dream as she grapples with her psyche as a celebrity.

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Behind every female face there is a story of struggle, strength and beauty. Follow the routine of five women who represent the country, in all its cultural, social, racial and religious diversity.

Women are faced with the massive opportunity of rebuilding in the wreckage of a Christian nation. How do we live faithfully as women now?

1940s art film. Produced by Candid Cinema. Featuring Patsy.

In A Performance on Femininity we are invited in an intimate conversation between two women from different parts of the world. They share their views on what it means being a woman and the burden that come along with it. Bare witness to a conversation with conflicting views on the socially perspective of womanhood. The film is a deconstructed experimental short documentary that creates a personal look into the lives of contemporary women navigating rather ancient existing constructs of womanhood.

The shared experiences of girlhood.

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.

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On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.

In the American suburbs, two women mysteriously and sensuously entwine in this slow-burning, saucy, abstracted fable on the longing and laboring female body.

DIVA! is the voice of the unrestrained feminine. Our love letter to self-expression and autonomy.

Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.

Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.

Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

No description available for this movie.

Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.

Maria is a shellfisherwoman and midwife in a small village in the Illa de Arousa in 1970s Galicia. After an unexpected event, she is forced to flee to Portugal.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Marseille, midsummer. Lying on their beach towels, Jess and Alana talk about the previous night's beach party.

A documentary feature questioning the female breasts as feminine signifier.

A teenage girl dealing with the loss of her mother, navigating the five stages of grief, when suddenly her doppelganger appears. Throughout her journey of discovery, she not only confronts her own unresolved feelings but begins to understand the fragility of life. Through her encounters with the doppelganger — a reflection of her inner turmoil — she comes to terms with her mother's death and learns to accept her own mortality, finding peace in the inevitability of life's cycles.

A visually stunning and thought-provoking biopic documenting the life and career of renowned photographer Linda Troeller. Her work explores the spiritual properties of water and the intricate aspects of female sexuality. The film presents a mesmerizing narrative that gracefully blends elements of personal discovery, artistry, and feminism.

Dorothy (Fiona Samuel), a lone swimmer, luxuriates in tranquil bliss at a deserted pool — only to have her solitude rudely interrupted by a squad of swimmers. A wordless, strikingly choreographed conflict ensues as Dorothy attempts to assert herself against the dehumanised aggression of the swimmers.