Search Results for "filmed opera"

A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.

During his birthday’s celebration, Prince Siegfried must choose a bride. Trying to escape reality, he dreams of a perfect love. His tutor tries to bring him down to Earth and reminds him of his duties. On a dreamlike getaway, the prince meets Odette, a princess who has been transformed into a swan by the powerful sorcerer Rothbart. Only true love can break the spell. Captivated, Siegfried promises Odette to save her and invites her to his party. To trap the prince, the sorcerer sends his daughter Odile, disguised as Odette, to seduce him.

A colorful and comedic staging of the classic opera buffa by the Vienna State Opera.

A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.

At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...

Rusalka, a water spirit, lives with her family in the pure waters of the forest lake. When she falls in love with a Prince, she sacrifices her voice and leaves her home in the hope of finding true love in a new world – a world that does not love her back.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

Riccardo Chailly inaugurates the 2024-2025 Opera Season with a new production of La forza del destino, conducting his ninth Verdi title at La Scala. Leo Muscato will direct yet another cast of extraordinary prestige. A complex opera in terms of dramaturgy, first performed in St. Petersburg in 1862 and debuting in its final form at La Scala in 1869 with the creation of the famous overture, La forza del destino offers some of the most memorable Verdi melodies. It has been absent from the programme since the Verdi centennial in 2001, when it was brought to La Scala by the artists of the Mariinsky Theatre of St. Petersburg; the La Scala Orchestra and Choir have not performed it since 1999.

In a village in a country far away, the community live well and support each other. But when civil war breaks out this idyll of existence is devastated as the community is broken and homes destroyed. We follow the fortunes of a father, mother and their three teenage children – Leto, Mati and Tana – who face this brutal reality together. They are confronted with impossible choices in order to survive. They must leave their homeland and undertake a perilous journey to safer shores. Along the way they will be separated from each other and have to persevere alone.

The classic opera by Giuseppe Verdi, brought to Teatro Real Madrid with stars such as Ermonela Jaho and Gregory Kunde in 2016, conducted by Renato Palumbo.

Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe’s leading opera directors, gives the biblical story—already filtered through the beautiful and strange imagination of Oscar Wilde’s play—a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.

A godforsaken village in Germany shortly after the Thirty Years’ War: The young scrivener Max loves Agathe, daughter of the head forester Kuno. But to marry her, the inexperienced marksman Max must participate in an archaic tradition and score in a shooting trial – an unfulfillable challenge for him. The dubious war veteran Kaspar knows about this. He convinces the scrivener to meet him at Wolf’s Glen at midnight to forge “free bullets” that never miss their target. Max, who does not see any other way out of his unfortunate situation, sells his soul to the devil. Not knowing about the catch behind this deal: while six of the cursed bullets will hit the desired target, the seventh lies in the devil’s hands.

Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. The magician Drosselmeyer transforms the drawing room into a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker’s life – so breaking a magical spell that turned him from a boy to a toy – and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara’s adventures seem to have been more than just a dream.

A filmed performance of the January 2016 world premiere production of Toshio Hosokawa's opera dedicated to the victims of the 2011 earthquake and tsunami.

Paying a rare visit to her estate, a countess clashes with the man she hired to manage it.

A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.

The story follows Vivian's life from young girl through two marriages, divorce, liberation and class trip, to a baglady.

Finding the right librettos was not easy, but one month after the end of the First World War, his triptych – the grim tragedy Il tabarro, the lyrical and sensitive Suor Angelica, and the comedy Gianni Schicchi – premiered in New York. Three different eras, three different settings, three different ‘colours’; though for Puccini, it is through the contrasts between them that the unity of the work is revealed. For his second time directing at La Monnaie, Tobias Kratzer preserves the original order of the pieces, while weaving them together to form a narrative whole, like a circle with no end. With a cast of artists from the extended La Monnaie family, Alain Altinoglu is the ideal conductor to meet the daunting challenges posed by this triptych.

From the Baroque Theater at Český Krumlov Castle: Christoph Willibald Gluck's Orfeo ed Euridice (Orpheus and Eurydice) starring Regula Mühlemann, Bejun Mehta and Eva Liebau, with Collegium Vocale 1704 & Collegium 1704 under the baton of Václav Luks. Directed by Ondřej Havelka A co-production of Clasart / Unitel / ORF in association with Czech Television / SVT / YLE / RSI / Arthaus Music

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!