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The young Schiller, whose heart and soul are writing and poetry, is forced into the military academy (the pride and joy of the Duke of Württemberg). Schiller is disgusted by the everyday routine of the military, always back and forth between breeding and drills. Conversation, conflict or even critique are discouraged – the oppression insufferable for the young rebel. Disgusted by the brutality, he writes his drama "The Bandit", which he would later publish anonymously. But following a frank conversation with the Duke, Schiller is dishonored and must leave the land.

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

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Ferdinand is an army major and son of President von Walter, while Luise Miller is the daughter of a middle-class musician. They fall in love with each other, but both their fathers urge them to end the affair.

Claus Peymann's production of Schiller's play about oppression, rebellion and human rights is less a flaming political appeal than a subtle exploration of human behavior in a social conflict.

In this film, shot in Drachhausen/Hochoza in southern Brandenburg, film students from Potsdam reinterpret Schiller's play ‘Die Jungfrau von Orleans’ (The Maid of Orleans) and set it in Lower Lusatia. Johanna, the harvest queen, campaigns for the expansion of a solar park. She is celebrated by many for this, but some are hostile towards her. After the cock plucking/łapanje kokota, a scandal erupts in the ballroom.

The narrative unfolds in the 14th Century, when the European nations vie for supremacy within the Holy Roman Empire. The ambitious Austrian Empire, desiring more land, invades neighbouring Switzerland, a serene and pastoral nation. Protagonist William Tell, a formerly peaceful hunter, finds himself forced to take action as his family and homeland come under threat from the oppressive Austrian King and his ruthless warlords.

The scene opens in an artist's studio where the unfinished statue of William Tell stands upon a pedestal. A clown appears and sticks a clay arm and clay head on the statue, thus completing it. He places a large brick on top of the head to make it stick. When he turns his back the statue turns into a living representation of William Tell. (Edison Catalog)

A WWI English officer is inspired the night before a dangerous mission by a vision of Joan of Arc, whose story he relives.