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Running from the IRS due to back taxes, Baltimore hairdresser and salon owner Peaches reunites with her more successful sister, Angela, a fellow stylist, in Los Angeles. Angela is burdened by her sister's financial woes, and Peaches' rival, Marcella, threatens to take over the salon back in Baltimore. While Angela helps her sister get back on her feet, Peaches enters a hairstyling competition in hopes of winning a big cash prize and saving her salon.

A hairdresser forwards a passionate love letter to her widowed mother.

Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.

Not only has she got pink extensions, painted on eyebrows, glitter stockings and superman hotpants, Starlady’s a youth worker in some of Australia’s most remote and challenging places. And she reckons that hairdressing can improve people’s lives. Like a real life Priscilla, Starlady takes us on a Queen of the Desert journey to Areyonga, an indigenous community in Central Australia, where she’ll work with a group of curious and cheeky young people.

Koji Shiraishi interviews the survivors of an indiscriminate attack at a sightseeing resort and starts investigating the strange events that have been happening to them.

Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.

Indie film by Fujiwara Sho, 2001.